Brains on the asphalt: Three punk expressions of crisis

Q1 Arts and Humanities
Franko Burolo
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引用次数: 0

Abstract

Since its crisis-marked beginnings, punk’s relationship with anarchism could be described as ‘complicated’. In spite of the wide use of the word and the circled ‘A’ symbol, not every artist considered anarchy in its political meaning of radical egalitarianism and libertarian socialism. This article explores the ‘impulse of anarchy’ in punk, as considered by Edoardo Sanguineti, as a more-than-political aesthetic phenomenon present in all avant-garde poetry (and arts in general) in modern history, consciously or not, whose ultimate goal is to change life and modify the world. Through this perspective, the article presents a comparative analysis of three expressions of crisis by three different punk groups from three different European countries, in three different languages: ‘Možgani na asfaltu’ (‘Brains on the Asphalt’) in Slovene by Berlinski zid from (then) Yugoslavia, ‘Lasciateci sentire ora’ (‘Let Us Hear Now’) in Italian by Franti from Italy and ‘Crisis’ in English by Poison Girls from the United Kingdom. The article will thus try to contribute to the understanding of anarchist and anarchic influences in coping with crisis under international capitalism and bourgeois hegemony.
沥青上的大脑:危机的三个朋克表达
自危机开始以来,朋克与无政府主义的关系可以说是“复杂的”。尽管“无政府主义”这个词和圈出的“A”符号被广泛使用,但并不是每个艺术家都认为无政府主义是激进的平等主义和自由社会主义的政治含义。本文探讨了朋克中的“无政府主义冲动”,爱德华多·桑吉尼蒂认为,朋克是一种超越政治的审美现象,存在于现代史上所有前卫诗歌(以及一般艺术)中,有意无意,其最终目标是改变生活和改变世界。通过这一视角,本文对来自三个不同欧洲国家的三个不同朋克乐队用三种不同语言表达的危机进行了比较分析:来自(当时)南斯拉夫的Berlinski zid在斯洛文尼亚语中的“Možgani na asfaltu”(“沥青上的大脑”),来自意大利的Franti在意大利语中的“Lasciateci sentire ora”(“让我们现在听到”),以及来自英国的Poison Girls在英语中的“危机”。因此,本文将试图有助于理解无政府主义和无政府主义在应对国际资本主义和资产阶级霸权下的危机中的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Punk and Post-Punk
Punk and Post-Punk Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
35
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