Tattoos: Art, Symbol, and History in Dayak Salako

Cornelius Kiki Hartanto, Donatianus BSE. Praptantya, Diaz Restu Darmawan, Ita Lusia, Devi Fridayanti
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Abstract

It is the product of qualitative research with a phenomenon approach that covers several stages of observation, deep interview, and documentation. This qualitative work is done in the large Sajingan district, Sambas. The research discussed the phenomenon of tattooing the Dayak Salako people. In the Dayak, tattoos get important attention inside, where the value and meaning behind the tattoo motif adorns the body of the Dayak. The tattoo on the dayak has a long history. Especially the traditional tattoo that is commonly known to the dayak people as the flower of eggplant, it is one of the tattoos in dayak Iban. In Dayak Salako's own well-known tattoos are a form of transcultural interaction with other hackers who have tattoos. Views have also been given to tattoos in which the study includes two types of tattoos found in the Dayak Salako, it has a traditional motif and contemporary tattoos. With the development and progress of knowledge technology regarding tattoos and tattoo meanings transferred to a new meaning to the use of tattoos among the Dayak Salako people. New tattoo motifs emerged that included artistic value, meaning, and viewpoint. The essence of the tattoos used by the dayak Salako people has become an interesting issue because of their many interfaces with the Dayak Iban and their tattoos add to their knowledge of the tattoo.
纹身:达亚克萨拉科的艺术、符号和历史
它是定性研究的产物,采用现象方法,包括观察、深度访谈和记录几个阶段。这项定性工作是在桑巴斯的萨静安大区进行的。本研究探讨了达亚克萨拉科人的纹身现象。在达雅克中,纹身在内部得到了重要的关注,纹身图案背后的价值和意义装饰着达雅克的身体。达亚克上的纹身有着悠久的历史。尤其是达雅族俗称的传统刺青“茄子花”,是达雅族伊班的刺青之一。在达亚克·萨拉科自己著名的纹身中,纹身是与其他有纹身的黑客进行跨文化互动的一种形式。对纹身的看法也被给予,其中研究包括在达亚克萨拉科发现的两种纹身,它有传统图案和当代纹身。随着文身知识技术的发展和进步,文身的意义在达亚克萨拉科人的文身使用中被赋予了新的意义。新的纹身图案出现了,包括艺术价值、意义和观点。dayak Salako人使用的纹身的本质已经成为一个有趣的问题,因为他们与dayak Iban有许多接触,他们的纹身增加了他们对纹身的了解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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