Televisual transformations: The making of (media) citizens in interventional television productions

IF 0.9 2区艺术学 0 FILM, RADIO, TELEVISION

Critical Studies in Television Pub Date : 2022-09-28 DOI:10.1177/17496020221130256

Balázs Boross

引用次数: 0

Abstract

Interventional reality programmes often give rise to speculations about how they treat their contributors. However, little is known about the actual production practices that lie behind these complex and often contradictory media texts. Based on in-depth interviews with crew members of a variety of popular formats, this article explores how ordinary people are turned into subjects of emancipation and spectacular transformations. By analysing the ideals, tactics and constraints characterising this process, I address how particular discursive and organisational mechanisms support or hinder morally viable compromises in situations where the imperative of ‘selling strong performances’ and personal standpoints come into conflict.

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电视转换:介入电视制作中(媒体)公民的塑造

干预性现实方案常常引起人们对它们如何对待其捐助者的猜测。然而，人们对隐藏在这些复杂且经常相互矛盾的媒体文本背后的实际生产实践知之甚少。本文基于对各种流行形式的剧组成员的深度访谈，探讨了普通人如何成为解放和壮观转变的主题。通过分析这一过程的理想、策略和约束，我阐述了特定的话语和组织机制是如何支持或阻碍道德上可行的妥协的，在这种情况下，“销售强劲业绩”的必要性和个人立场发生冲突。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Critical Studies in Television FILM, RADIO, TELEVISION-

CiteScore

2.10

自引率

30.00%

发文量

期刊介绍： Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.