AKTUALISASI DIRI DAN MEDIA SOSIAL (DRAMATURGI KAUM MILENIAL DALAM MEDIA SOSIAL TIKTOK)

Dharmasmrti Pub Date : 2022-10-08 DOI:10.25078/wd.v17i2.1655
Ida Ayu Nyoman Sutriani Dayuoman
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Abstract

This study questions the dramaturgy of millennials in Mataram City in the Tiktok social media space. This research is designed in qualitative research with a phenomenological model. The purpose of this research is to conduct scientific studies to contribute ideas to the development of science, especially in the field of communication science. Data collection techniques applied in this study are observation, interviews, and documentation. The research data were analyzed by data reduction techniques, data presentation, and conclusion drawing. To simplify the analysis process, Erving Goffman's Dramaturgy theory is used. Based on the results of the study, it was found that it was important that the presence of TikTok as a popular social media platform among millennials in Mataram City became a means of self-actualization in building self-existence. Aware of self-assessment through social media, the account owners carry out management construction to display the image or picture in another version. This is done for specific goals and objectives to be achieved. TikTok social media allows users to show a picture of themselves as desired but react to the impression displayed by the public. On TikTok social media, the front stage, which is the actor's area in constructing impression management, and the backstage, the scope of ​​the actor who describes his actual situation, can be presented simultaneously.
自我实现和社交媒体(千禧年社交媒体剧)
这项研究质疑了马塔兰市千禧一代在Tiktok社交媒体空间中的戏剧性。本研究采用现象学模型进行定性研究。这项研究的目的是进行科学研究,为科学的发展贡献思想,特别是在传播科学领域。本研究采用观察法、访谈法和文献法收集资料。通过数据约简技术、数据展示和结论图对研究数据进行分析。为了简化分析过程,本文采用了欧文·戈夫曼的戏剧理论。根据研究结果,TikTok作为马塔兰市千禧一代的热门社交媒体平台,成为建立自我存在的自我实现手段,这一点很重要。意识到通过社交媒体进行自我评价,账号所有者进行管理建设,以另一个版本展示图像或图片。这样做是为了实现特定的目标和目的。TikTok社交媒体允许用户根据自己的意愿展示自己的照片,但会对公众展示的印象做出反应。在TikTok社交媒体上,可以同时呈现演员构建印象管理的前台和演员描述自己实际情况的后台。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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