Music next to Theology: The Impact and Influence of Martin Luther's Reformation on Johann Sebastian Bach

J. Ryan
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Abstract

The artistic figure and music of Johann Sebastian Bach looms large in the history of Western arts and culture. His influences were many, but one strong influence in his life's work was that of the Protestant Reformation and the theology of the Lutheran church. Through this research, it is evident that Bach strongly held to the doctrines and theology of the Lutheran church and that his employment in the Lutheran church was not merely a vocation for him, but an outward expression of his inward religious and theological conviction. This position is evidenced by the writings and teachings of Martin Luther, specifically his writings on music. In these writings, Luther argues that music and theology are complementary of one another, and that music in the church is one of the strongest ways through which to communicate theology and the truth of scripture. The practice of the Lutheran church also suggests that Bach had a strong understanding of Lutheran theology, specifically the Lutheran catechisms. Finally, in the sacred works of Bach himself, specifically his cantatas, the theology of the Lutheran church and the religious conviction of the Protestant Reformation can be clearly observed. This research has been assembled through the study of historical documentation in the form of primary and secondary sources.
神学旁边的音乐:马丁·路德的宗教改革对约翰·塞巴斯蒂安·巴赫的影响
约翰·塞巴斯蒂安·巴赫的艺术形象和音乐在西方艺术和文化史上占有重要地位。他受到的影响有很多,但对他一生的影响最大的是新教改革和路德教会的神学。通过这项研究,很明显,巴赫强烈坚持路德教会的教义和神学,他在路德教会的工作对他来说不仅仅是一种职业,而是他内心宗教和神学信念的外在表达。马丁·路德的著作和教导,特别是他关于音乐的著作,证明了这一立场。在这些著作中,路德认为音乐和神学是相辅相成的,教堂里的音乐是传达神学和圣经真理的最有力的方式之一。路德教会的实践也表明巴赫对路德神学,特别是路德教理问答有很强的理解。最后,在巴赫本人的神圣作品中,特别是他的康塔塔中,可以清楚地看到路德教会的神学和新教改革的宗教信念。这项研究是通过对主要和次要来源形式的历史文献的研究而汇编的。
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