Plato’s concepts Space and Earth in K.E. Tsiolkovsky’s fantastic story “Beyond the Earth”

IF 0.1 0 LANGUAGE & LINGUISTICS
R. M. Safiulina
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Abstract

The article for the first time makes a comparative analysis of the concepts of the Cosmos and the Earth of the ancient Greek philosopher Plato and the founder of astronautics K.E. Tsiolkovsky. A hypothesis is put forward that the philosophical basis for writing the fantastic story “Out of the Earth” by Tsiolkovsky is the interpretation of the Cosmos and the Earth from Plato’s dialogues “Phaedo”, “Timaeus”, “Critias”. The novelty of the study is seen in the fact that for the first time the deep penetration of Plato’s philosophy into the structure of Tsiolkovsky’s story “Out of the Earth” is revealed. The relevance of the study is due to the lack of coverage of this scientific problem. The definitions Cosmos, Earth are given in the understanding of Plato and Tsiolkovsky. The results of a comparative analysis of the concepts of Cosmos and Earth, the interpretation of the terms kalos cosmos, epimeleia heautou (take care of yourself) in Plato’s dialogues and in Tsiolkovsky’s story “Out of the Earth” are presented. It is suggested that the concept of the ideal Cosmos and the probability of the death of the Earth in the Platonic sense are implied in the text of the story “Out of the Earth” to solve scientific and creative problems of the early twentieth century — space flights and the creation of space settlements. The influence of Plato’s dialogues “Phaedo”, “Timaeus”, “Critias” on the style of Tsiolkovsky’s story is revealed. The questions of the originality of the genre of Tsiolkovsky’s story, its artistic features, the role of dialogues, ekphrasis are considered. It is proved that the concept of dual worlds of the ancient Greek philosopher is invariably traced in the storylines, landscape sketches, in the dialogues of the heroes of the story “Out of the Earth”. This idea of Plato will become the main one in the philosophy of Tsiolkovsky. Resettlement in space, in his opinion, means for mankind familiarization with the Cosmos — a perfect beautiful creation. Life in space settlements will save people from suffering, disease, war and give them immortality. An analysis of the concepts of Cosmos and Earth by Plato and Tsiolkovsky allows us to conclude that the idealistic views of Plato acquired a technogenic, purely materialistic, realistic embodiment in the work of Tsiolkovsky and became an incentive for technological progress, opening up new ways for the development of mankind.
柏拉图的概念空间和地球在齐奥尔科夫斯基的奇幻故事《地球之外》中
本文首次对古希腊哲学家柏拉图和航天学创始人齐奥尔科夫斯基的宇宙和地球概念进行了比较分析。提出了齐奥尔科夫斯基创作奇幻小说《离开地球》的哲学基础是柏拉图《斐多篇》、《蒂梅乌斯篇》、《克里提阿斯篇》对话录中对宇宙和地球的解释。这项研究的新颖之处在于,它首次揭示了柏拉图哲学对齐奥尔科夫斯基的故事《脱离地球》结构的深刻渗透。这项研究的相关性是由于缺乏对这一科学问题的报道。柏拉图和齐奥尔科夫斯基给出了宇宙和地球的定义。本文对柏拉图的对话录和齐奥尔科夫斯基的小说《离开地球》中的宇宙和地球概念、kalos Cosmos、epimeleia heautou(照顾好你自己)等术语的解释进行了比较分析。作者认为,理想宇宙的概念和柏拉图意义上的地球死亡的可能性隐含在“走出地球”这个故事的文本中,以解决20世纪初的科学和创造性问题-太空飞行和创造太空定居点。揭示了柏拉图的《斐多篇》、《蒂迈乌斯》、《克里提阿斯》对话录对齐奥尔科夫斯基故事风格的影响。本文对齐奥尔科夫斯基小说体裁的独创性、艺术特色、对白的作用、用词等问题进行了探讨。事实证明,这位古希腊哲学家的双重世界的概念在《走出地球》的故事情节、风景素描和英雄的对话中始终存在。柏拉图的这一观点将成为齐奥尔科夫斯基哲学的主要观点。在他看来,在太空定居意味着人类熟悉宇宙——一个完美美丽的创造。在太空定居的生活将使人们免于痛苦、疾病和战争,并使他们永生。通过对柏拉图和齐奥尔科夫斯基的宇宙和地球概念的分析,我们可以得出这样的结论:柏拉图的唯心主义观点在齐奥尔科夫斯基的作品中获得了技术上的、纯粹唯物主义的、现实主义的体现,并成为技术进步的动力,为人类的发展开辟了新的道路。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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