The Crisis of the Political. Polis and an Individual

Raimondas Kazlauskas
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Abstract

The article discusses the crisis of the political, treating this phenomenon as an interactive constellation of political, over-political and apolitical factors. The aim is to reconstruct the assumptions of the crisis and highlight its main features in the context of ancient Greece. Under the influence of Dionysian religion, theater was established as a compelling and universally accessible authority to legitimize democracy. Therefore my analysis focuses on the social change after which democracy was no longer perceived as a form of governance but as a form of collective ownership. The article explains how the unbridled demonstration of power quickly erased the long-cherished principle of verbal argumentation and pushed Greeks to practice of power politics. It is shown how, with the establishment of autocracy, parallel interchange between political and anti-political institutions emerged in the Greek polis.
政治危机。城邦与个人
本文讨论了政治危机,将这一现象视为政治因素、过度政治因素和非政治因素的互动星座。其目的是重建危机的假设,并突出其在古希腊背景下的主要特征。在酒神宗教的影响下,戏剧被确立为使民主合法化的一种令人信服的、普遍可及的权威。因此,我的分析侧重于社会变革,在此之后,民主不再被视为一种治理形式,而是一种集体所有制形式。文章解释了不受约束的权力展示如何迅速抹去了长期以来的口头辩论原则,并将希腊人推向权力政治的实践。它显示了随着专制制度的建立,政治和反政治制度之间的平行交换如何在希腊城邦中出现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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24 weeks
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