Editor’s Note

IF 0.2 4区 社会学 0 ASIAN STUDIES
Acta Koreana Pub Date : 2021-11-16 DOI:10.3828/ijeap.2022.9
Jae-Buhm Hwang, Keith Pratt, Alon Levkowitz, Sehjae Chun, Thorsten Traulsen, Michael C. E. Finch, Guy Podoler, Xin Wei, J. Ryu, Yi Hyo-Sŏk, Young-Ji Kang, Bruce Fulton, Michael Reinschmidt, Andrei Lankov, Sem Vermeersch, Bernhard Seliger, Sungwon Sohn
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引用次数: 0

Abstract

Abstract:This article explores the relationship between South Korean national identity and the country’s patriotic landscape. It attempts to decipher the images and the codes that museums, memorial halls, and monuments transmit to the local audience in order to establish a sense of spatial and temporal sameness and unity among the members of the nation. The analytic tool which is employed for that purpose is the distinction between “mythology” and “memory,” which makes it possible to avoid the commonly metaphorical use of the latter term. The framework of the analysis is presented in the form of a historical survey of the interaction between governing mythology, i.e. the dominant narrative preferred and advanced by the state, and collective and personal memories in South Korea. This underscores the fact that the present-day natural image of a landscape, which is dominated by images of the colonial past, is actually a late development. Only in the 1980s, when new socio-political conditions allowed for governing mythology and memory to converge and place the colonial past at the forefront of national identity, was this demonstrated by a wave of constructing memorial sites for the colonial past.In this context, it is possible to analyze which images are transmitted and how, and why specifically those images are important. Both external and internal challenges have influenced the decision to base governing colonial mythology on the role of South Korea as the legitimate son, who is responsible for the commemoration of deceased patriots, by relying on a set of familiar cultural and religious images. A highly passionate patriotic language that echoes early twentieth-century rhetoric, not only assists in strengthening the connection between the post-colonial South and pre-divided Korea, but it also mirrors the ongoing concern for the stability of the country. Also, the patriotic landscape sanctifies the death of the patriots, though death as a value is not sanctified. This demonstrates the way through which the concept of patriotism, which forms the emotional linchpin of nationalism, is tied to the idea of civic consciousness and the fulfillment of daily national obligations.
Editor’s音符
摘要:本文探讨了韩国民族认同与国家爱国主义景观之间的关系。它试图破译博物馆、纪念馆和纪念碑传递给当地观众的图像和代码,以便在国家成员之间建立空间和时间的同一性和统一性。为了达到这个目的而使用的分析工具是“神话”和“记忆”之间的区别,这使得人们有可能避免后一个术语通常的隐喻用法。分析的框架以韩国统治神话(即国家偏爱和推进的主导叙事)与集体和个人记忆之间相互作用的历史调查的形式呈现。这强调了一个事实,即当今的自然景观形象,由过去的殖民形象主导,实际上是一个较晚的发展。直到20世纪80年代,当新的社会政治条件允许统治神话和记忆融合在一起,并将殖民历史置于国家认同的最前沿时,这一点才被一波为殖民历史建造纪念场所的浪潮所证明。在这种情况下,有可能分析哪些图像被传输,如何传输,以及为什么这些图像特别重要。外部和内部的挑战都影响了政府的决定,即依靠一套熟悉的文化和宗教形象,将统治殖民神话建立在韩国作为负责纪念已故爱国者的合法儿子的角色上。充满激情的爱国主义语言与20世纪早期的修辞相呼应,不仅有助于加强后殖民时期的韩国与分裂前的朝鲜之间的联系,还反映了对国家稳定的持续关注。此外,爱国主义景观神圣化了爱国者的死亡,尽管死亡作为一种价值并没有神圣化。这表明,作为民族主义情感支柱的爱国主义概念是如何与公民意识和履行日常国家义务的理念联系在一起的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Acta Koreana
Acta Koreana ASIAN STUDIES-
CiteScore
0.20
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