Verisimilitude as the aspect of text perception

IF 0.1 0 LANGUAGE & LINGUISTICS
Yulia A. Bogatikova
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引用次数: 0

Abstract

The article presents the results of theoretical exploration of verisimilitude as a phenomenon of (non)fictional narration. Structural and stylistic analysis of textual components in books by Diane Setterfield, Flann O’Brien, Elif Batuman shows the possibility of grading literary texts as more or less fictional. The theoretical background is based on G. Genette and Tz. Todorov’s ideas on reading modes. The theoretical results of research are presented in the form of a chart that can be further used for gradual scaling of texts as fiction or nonfiction. The authors of the analyzed texts use a variety of stylistic devices that create the effect of verisimilitude in pseudo-documentary fiction or nonfictional texts. The texts are examined by means of componential analysis from the point of view of their compositional structure, paratextual additions and plot lines. The research results indicate that verisimilitude in fiction depends on the reading mode: as informative and verifiable or as supposed speech acts working in the aesthetic function of the language.
真实感是文本感知的一个方面
本文介绍了真实感作为一种(非)虚构叙事现象的理论探索结果。通过对黛安·塞特菲尔德、弗兰·奥布莱恩、埃里夫·巴图曼等人著作中文本成分的结构和风格分析,我们可以看出将文学文本划分为虚构或虚构程度的可能性。理论背景是基于G. Genette和Tz。托多罗夫关于阅读模式的思想。研究的理论结果以图表的形式呈现,可以进一步用于逐步缩放文本为小说或非小说。所分析文本的作者在伪纪实小说或非虚构文本中使用了各种文体手段来创造逼真的效果。文本是通过成分分析的方式,从他们的组成结构,旁文添加和情节线的观点来检查。研究结果表明,小说的真实性取决于阅读方式:是作为信息和可验证的,还是作为语言审美功能的假想言语行为。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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50.00%
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100
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