Ecoscenography conversations1

Abstract

The global ecological crisis calls for a new approach to theatre making that overturns the ‘take, make and dispose’ production model that has become so intrinsic to the performing arts. Ecoscenography is a burgeoning movement that interweaves creative, environmental, social and cultural aspects of performance design to produce ecologically sensitive and evocative spatial experiences. The neologism has its roots in Australian fringe theatre and freelance design practices, many of which take pride in shoe-string budgets, site-specific, ad hoc and non-traditional forms of theatre making. Ecological re-considerations of performance design have emerged through these grassroot experiences which continue to be a vital foundation for Australia’s thriving theatre community. Nevertheless, there is still very little written about sustainability in the performing arts (both in Australia and beyond), particularly from the perspective of the scenographer. This dialogic article is a conversation between two Australian-based scenographers who are passionate about bringing an ecological ethos into performance design. The article explores Ecoscenography ‘in conversation’ by drawing out common perspectives and experiences to demonstrate how an ecological ethic can inspire the performance maker’s creative process. We discuss our trials and tribulations of sustainable practice, from our first engagement with the topic, to our aspirations for the future of the field. The result is a candid, tangible and personal account of what it means to be an ecoscenographer in an increasingly turbulent (but hopeful) world.