The Codex is Always on Crip Time: ADHD(ness) and Reading

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Laura Basten
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引用次数: 0

Abstract

abstract:This article aims to explore motives around the topic of reading within ADHD online communities from a book studies perspective. Such reflections must account for neuro-ableism in educational institutions and resulting hermeneutical injustices, as well as decades of pathologizing research about ADHD(ers) in favor of medical models of disability. Ultimately, the article argues that a deeper knowledge of book history might be a source of empowerment, especially for ADHDers struggling with reading or picking up a book at all. For example, the invention of the codex originally gave way to discontinuous and interruptible reading practices, and the novel as a genre to be read alone, silently, and from cover to cover is in many ways a peculiarity. Furthermore, books are three-dimensional material objects and therefore an "antilibrary" can very well be reinterpreted as consisting of stimming or fidget tools.
手抄本总是在瘸子时间:多动症(ADHD)和阅读
本文旨在从书籍研究的角度探讨ADHD在线社区中阅读主题的动机。这样的反思必须考虑到教育机构中的神经残疾,以及由此导致的解释学上的不公正,以及几十年来对ADHD(ers)的病理研究,这些研究支持残疾的医学模型。最后,这篇文章认为,对书籍历史的深入了解可能是一种赋权的来源,特别是对于那些在阅读或拿起一本书时挣扎的多动症患者。例如,手抄本的发明最初让位于不连续和可中断的阅读实践,小说作为一种类型,可以单独阅读,默读,从头到尾,在很多方面都是一种独特性。此外,书籍是三维的物质对象,因此“反图书馆”可以很好地重新解释为由刺激或烦躁的工具组成。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Reception-Texts Readers Audiences History
Reception-Texts Readers Audiences History HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
14
期刊介绍: Reception: Texts, Readers, Audiences, History is a scholarly, peer-reviewed journal published once a year. It seeks to promote dialog and discussion among scholars engaged in theoretical and practical analyses in several related fields: reader-response criticism and pedagogy, reception study, history of reading and the book, audience and communication studies, institutional studies and histories, as well as interpretive strategies related to feminism, race and ethnicity, gender and sexuality, and postcolonial studies, focusing mainly but not exclusively on the literature, culture, and media of England and the United States.
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