Acerca de la legilibilidad de la fotografía y El arte de visibilizar la pregunta (Koen Wessing)

IF 0.3 0 PHILOSOPHY

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2016-12-14 DOI:10.4067/S0718-71812016000200007

Mary Mac-Millan

引用次数: 2

Abstract

En una primera parte, este articulo se centra en las posibilidades de lectura que le competen a la fotografia. Para ello se postulan tres aproximaciones. En primer lugar, una lectura ingenua o sin contexto previo. En segundo lugar, una lectura contextualizada, tal y como lo entiende Peter Burke y una aproximacion que, en tercer lugar, sigue los postulados de Didi-Huberman y Jacques Ranciere, quienes hacen hincapie en una participacion tanto emotiva como intelectual. En una segunda parte se piensan estas tres aproximaciones en la obra El arte de visibilizar la pregunta del fotografo Koen Wessing a partir de las fotografias de “Chile 1973”.

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关于摄影的可读性和使问题可见的艺术(科恩·威辛)

在这篇文章中，我们讨论了摄影作为一种媒介的作用。为此，假设有三种方法。首先，naive或没有上下文的阅读。首先，它是一种情境化的阅读，正如Peter Burke所理解的，其次，它是一种方法，遵循Didi-Huberman和Jacques Ranciere的假设，他们强调情感和智力的参与。第二部分从“智利1973”的照片中思考了这三种方法，使摄影师Koen Wessing的问题可见。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico PHILOSOPHY-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

40 weeks

期刊介绍： The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.