H. Yusof, Izudinshah Abd Wahab, A. Sabil, N. Hanapi
{"title":"Woodcarving Panels in Johor Traditional Malay Houses Influenced by the Islamic Principle","authors":"H. Yusof, Izudinshah Abd Wahab, A. Sabil, N. Hanapi","doi":"10.18860/jia.v7i2.17659","DOIUrl":null,"url":null,"abstract":"Woodcarving can be influenced by numerous aspects, including religions and beliefs, which may be comprised of the selections of motifs and also wood-carving panels. In Johor, Malay is one of the major ethnic groups and is considered the majority of the state's population, contributing to the significant heritage, including architecture. Traditional Malay houses in Johor have in-stilled woodcarving into some placements of the houses, including windows on jerejak panels. This paper aims to identify the typology of woodcarvings panels and the percentage of usage among the panels found in Johor Malay houses to identify its influence. 72 Johor traditional Malay houses with distinctive woodcarvings were selected to do inventory, photographed, and analyzed. Interviews were conducted while the samples taken were discussed and verified by woodcarving experts. Results show five-piece panels take the highest percentage while six-piece panels come in second in the overall statistic where it is concluded that the Pillars of Islam/Rukun Islam and Pillars of Faith/Rukun Iman have been the influence on the findings. The findings show that the Islamic religion is the most significant influence contributing to the justification of choice. This study can bring recognition to Johor woodcarvings and contribute valuable guides for woodcarvers to apply these panel typologies to their future works to sustain and cherish the Johor houses' wood-carving identity","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Islamic Architecture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18860/jia.v7i2.17659","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
Abstract
Woodcarving can be influenced by numerous aspects, including religions and beliefs, which may be comprised of the selections of motifs and also wood-carving panels. In Johor, Malay is one of the major ethnic groups and is considered the majority of the state's population, contributing to the significant heritage, including architecture. Traditional Malay houses in Johor have in-stilled woodcarving into some placements of the houses, including windows on jerejak panels. This paper aims to identify the typology of woodcarvings panels and the percentage of usage among the panels found in Johor Malay houses to identify its influence. 72 Johor traditional Malay houses with distinctive woodcarvings were selected to do inventory, photographed, and analyzed. Interviews were conducted while the samples taken were discussed and verified by woodcarving experts. Results show five-piece panels take the highest percentage while six-piece panels come in second in the overall statistic where it is concluded that the Pillars of Islam/Rukun Islam and Pillars of Faith/Rukun Iman have been the influence on the findings. The findings show that the Islamic religion is the most significant influence contributing to the justification of choice. This study can bring recognition to Johor woodcarvings and contribute valuable guides for woodcarvers to apply these panel typologies to their future works to sustain and cherish the Johor houses' wood-carving identity
期刊介绍:
The International Journal of Islamic Architecture (IJIA) publishes bi-annually, peer-reviewed articles on the urban design and planning, architecture and landscape architecture of the historic Islamic world, encompassing the Middle East and parts of Africa and Asia, but also the more recent geographies of Islam in its global dimensions. The main emphasis is on the detailed analysis of the practical, historical and theoretical aspects of architecture, with a focus on both design and its reception. The journal also aims to encourage dialogue and discussion between practitioners and scholars. Articles that bridge the academic-practitioner divide are highly encouraged. While the main focus is on architecture, papers that explore architecture from other disciplinary perspectives, such as art, history, archaeology, anthropology, culture, spirituality, religion and economics are also welcome. The journal is specifically interested in contemporary architecture and urban design in relation to social and cultural history, geography, politics, aesthetics, technology and conservation. Spanning across cultures and disciplines, IJIA seeks to analyse and explain issues related to the built environment throughout the regions covered. The audience of this journal includes both practitioners and scholars. The journal publishes both online and in print. The first issue was published in January 2012.