Repertorio teatral e internacionalización del teatro chileno: un estudio de caso

IF 0.3 0 PHILOSOPHY

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2017-12-15 DOI:10.7764/aisth.62.6

P. Salvatori

引用次数: 1

Abstract

La internacionalizacion del teatro es un fenomeno de reciente preocupacion en los Estados latinoamericanos, ya que propicia, la visibilidad cultural de los paises y el intercambio artistico y critico, ademas de nuevas posibilidades economicas. Tal circulacion interna- cional de obras teatrales supone la creacion de un repertorio que llamare “repertorio de exportacion”, a traves del cual se proyecta una imagen cultural del pais de procedencia, en tanto resultado de una construccion mediada por una seleccion. A traves del estudio de un grupo de obras chilenas presentadas en el extranjero es posible observar las convergencias y divergencias de dicho repertorio, identificar los diversos aspectos implicados en la cir- culacion internacional y reflexionar acerca de la imagen cultural proyectada por el teatro.

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戏剧的国际化是拉丁美洲国家最近关注的一个现象，因为它促进了各国的文化能见度、艺术和批评交流，以及新的经济可能性。这种戏剧作品的国际流通涉及到一种剧目的创造，我称之为“出口剧目”，通过这种剧目，原籍国的文化形象被投射出来，这是由选择中介的建构的结果。通过对一组在国外演出的智利作品的研究，有可能观察到这些剧目的汇合点和分歧点，确定国际巡回演出所涉及的各个方面，并反思剧院所投射的文化形象。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico PHILOSOPHY-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

40 weeks

期刊介绍： The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.