Art Nouveau style buildings as a chance for the development of architecture in Novi Sad

Nenad Mijuk
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Abstract

By the end of the 20th century, a new specific form of tourism was presented to the world by the name of architourism. Architecture, in a general sense, is science and the art of projecting and shaping buildings or, i.e., interior and exterior architectural space. Novi Sad, the second largest city in Serbia, located on Pannonian Plain, is famous for its incredibly rich historic and cultural heritage. There are various styles of architecture dominating the city itself, among which is the ever-present Art Nouveau in the Hungarian style. Novi Sad has fewer monuments and buildings erected in this style, as opposed to Subotica, but they are very high-quality and distinctive. Some influential architects had worked in that period in Novi Sad, and on top of that list was Lipot Baumhorn, responsible for the Synagogue, Menratova palace, the palace of "Vojvođanska banka", followed by Karolj Kovač, Đerđ Kopecki, Imre Frensek, Geza Markuš, Frđeš Špigel, Bela Peko, and others. This paper aims to emphasize the cultural-historic influence of buildings in the Art Nouveau style as a significant form of tourism.
新艺术风格的建筑为诺维萨德建筑的发展提供了机会
到20世纪末,一种新的特殊旅游形式被称为建筑旅游。建筑,在一般意义上,是科学和艺术的突出和塑造建筑物,即内部和外部的建筑空间。诺维萨德是塞尔维亚第二大城市,坐落在潘诺尼亚平原上,以其丰富的历史和文化遗产而闻名。这座城市的建筑风格多种多样,其中不乏匈牙利风格的新艺术风格。与苏博蒂察相比,诺维萨德很少有这种风格的纪念碑和建筑,但它们都非常高质量和独特。一些有影响力的建筑师在那个时期在诺维萨德工作,其中最重要的是Lipot Baumhorn,负责犹太教堂,Menratova宫殿,“Vojvođanska banka”宫殿,其次是Karolj kovakei, Đerđ Kopecki, Imre Frensek, Geza markusi, Frđeš Špigel, Bela Peko等。本文旨在强调新艺术风格的建筑作为一种重要的旅游形式的文化历史影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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