Una estética deleuzeana: génesis, figura y modulación

IF 0.3 0 PHILOSOPHY

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2017-12-15 DOI:10.7764/AISTH.62.2

Felipe Larrea Melgarejo

引用次数: 0

Abstract

Este articulo indaga en la construccion de una estetica en la filosofia de Gilles Deleuze mas alla del periodo en su obra donde el arte posee una atencion privilegiada. Para Deleuze, la estetica no significa simplemente una zona disciplinar de la filosofia: la desarrolla desde sus primeros trabajos hasta Difference et repetition y Logique du sens. Conceptos como el de genesis, signo o fuerzas, entre otros, predominan en su trabajo de los anos sesenta y sostienen una relectura del empirismo –“empirismo trascendental”– que enuncio como una estetica. La impronta metafisica de estos problemas sera retomada en sus escritos de los anos ochenta en que el arte comparece de manera mas directa.

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德勒兹美学:起源、形象和调制

在这篇文章中，我们将探讨德勒兹哲学中美学的构建，超越了他的作品中艺术受到特权关注的时期。为Deleuze estetica不仅仅意味着一个地区教育的基本:本着从其最初工作直到Difference et repetition Logique du sens.概念genesis,象征着部队除其他外,在1960年的工作为主,重大的第二阅读之外—“经验论”—enuncio作为一个estetica。这些问题的形而上学印记将在他80年代的作品中得到恢复，在这些作品中，艺术以一种更直接的方式出现。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico PHILOSOPHY-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

40 weeks

期刊介绍： The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.