Citizen in Exception: Omar Khadr and the Performative Gap in the Law

Matt Jones
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引用次数: 1

Abstract

In May 2015, former Guantanamo Bay detainee Omar Khadr was released from the Bowden Institution in Alberta. Khadr’s return to society followed 14 years of incarceration for an act that he may not have committed, which may not have been a crime, which took place while he was technically a child, and which was judged by a military tribunal that has questionable status in Canadian law.This article argues that Khadr’s long imprisonment was a political decision by US and Canadian authorities that required them to use performativity to suspend the law, depriving Khadr of his rights under American law, the Canadian Charter, and various protocols of international law. This use of performance to undermine law exposes a performative gap in the law: a space in the law that allows it to be moved and shaped by performative acts. Through these acts, Khadr became effectively stateless for a period in time: a citizen-in-exception. Building from Giorgio Agamben’s theory of the state of exception, this paper draws out the role played by performativity in the suspension of law by law. Importantly, the process that led to Khadr’s situation was racially charged from beginning to end. His situation is one manifestation of the way that Muslims have been “cast out” of Western law, as Sherene Razack puts it, since 9/11.
例外的公民:奥马尔·卡德尔与法律的执行差距
2015年5月,前关塔那摩湾囚犯奥马尔·卡德尔从阿尔伯塔省鲍登监狱获释。在卡德尔重返社会之前,他因为一项行为被监禁了14年,他可能没有犯下这种行为,也可能不构成犯罪,这件事发生在他严格来说还是个孩子的时候,由一个在加拿大法律中地位可疑的军事法庭审理。本文认为,卡德尔的长期监禁是美国和加拿大当局的政治决定,要求他们使用表演来暂停法律,剥夺卡德尔根据美国法律,加拿大宪章和各种国际法议定书享有的权利。这种利用表演来破坏法律的做法暴露了法律中的一个表演缺口:法律中的一个空间,允许它被表演行为所移动和塑造。通过这些行为,卡德尔在一段时间内实际上成了无国籍者:例外公民。本文以阿甘本的例外状态理论为基础,阐述了表演在法与法的中止中所起的作用。重要的是,导致卡德尔处境的过程从头到尾都充满了种族主义色彩。正如Sherene Razack所说,自9/11以来,他的处境是穆斯林被西方法律“驱逐”的一种表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Theatre Research in Canada-Recherches Theatrales au Canada
Theatre Research in Canada-Recherches Theatrales au Canada Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
期刊介绍: Theatre Research in Canada is published twice a year under a letter of agreement between the Graduate Centre for the Study of Drama, University of Toronto, the Association for Canadian Theatre Research, and Queen"s University.
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