Curating divinity: Religious souvenirs, shopkeepers and bazaar curation

Q3 Social Sciences
R. Chopra
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引用次数: 0

Abstract

This paper explores the universe of souvenirs of Sikh Gurus and martyrs available in the bazaars around Sikhism’s most sacred shrine, the Darbar Sahib in Amritsar. Rather like objects in museum exhibitions, souvenir art actively produces ideas of divinity and martyrdom. The deliberate arrangements of Guru and martyr souvenirs in shopwindows demonstrate the ‘sense’ of curation of ordinary shopkeepers in the bazaar. Shop displays, I argue, resemble the care of sacred art by museum curators. But there is more to shop displays than mere imitation. I analyse the vis-à-vis between the souvenir displays of two modern martyrs, Jarnail Singh Bhindranwale, the militant leader of separatist Khalistan, and Bhagat Singh, the nationalist hero, that express bazaar understandings of martyr souvenirs as affective objects, possessing both ritual and political value. The curated displays in museums and shopwindows are critical in creating a conscious, purposive aura around modern Sikh martyrdom.
策划神性:宗教纪念品、店主和集市策划
本文探讨了在阿姆利则锡克教最神圣的圣地达尔巴萨希布附近的集市上可以买到的锡克教大师和烈士的纪念品。纪念品艺术就像博物馆里的展品一样,积极地产生了神性和殉道的观念。商店橱窗里精心摆放的古鲁和烈士纪念品显示了集市上普通店主的“管理意识”。我认为,商店的陈列类似于博物馆馆长对神圣艺术的保护。但是商店的陈列不仅仅是单纯的模仿。我分析了两位现代烈士的纪念品陈列之间的关系-à-vis,他们是分离主义的卡利斯坦的激进领袖贾内尔•辛格•比希德兰瓦莱(Jarnail Singh bhinderanwale)和民族主义英雄巴格特•辛格(Bhagat Singh),他们表达了对烈士纪念品作为情感对象的市场理解,既具有仪式价值,也具有政治价值。博物馆和商店橱窗里精心策划的展品对于营造一种有意识的、有目的的现代锡克教殉难氛围至关重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
4
审稿时长
52 weeks
期刊介绍: PORTAL Journal of Multidisciplinary International Studies is a fully peer reviewed journal with two main issues per year, and is published by UTSePress. In some years there may be additional special focus issues. The journal is dedicated to publishing scholarship by practitioners of—and dissenters from—international, regional, area, migration, and ethnic studies. Portal also provides a space for cultural producers interested in the internationalization of cultures. Portal is conceived as a “multidisciplinary venture,” to use Michel Chaouli’s words. That is, Portal signifies “a place where researchers [and cultural producers] are exposed to different ways of posing questions and proffering answers, without creating out of their differing disciplinary languages a common theoretical or methodological pidgin” (2003, p. 57). Our hope is that scholars working in the humanities, social sciences, and potentially other disciplinary areas, will encounter in Portal scenarios about contemporary societies and cultures and their material and imaginative relation to processes of transnationalization, polyculturation, transmigration, globalization, and anti-globalization.
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