Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series

IF 0.9 2区艺术学 0 FILM, RADIO, TELEVISION

Critical Studies in Television Pub Date : 2022-11-24 DOI:10.1177/17496020221141625

Kristina Pietaryte, Ana Cristina Suzina

引用次数: 1

Abstract

This article investigates the equality of female representation in 2019 Global Original Netflix drama series by identifying trends of female representation across 82 series sample, assessing the quality of female representation in the most watched 2019 drama series and comparing analysis across British, American and International series. Overall, female representation in 2019 Netflix drama series conforms the existing literature on television studies concluding that women are underrepresented on-screen and behind-the-scenes.

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Netflix全球原创节目中的女性代表性:2019年电视剧的比较分析

本文通过识别82部电视剧样本中女性代表的趋势，评估2019年最受关注的电视剧中女性代表的质量，并比较英国、美国和国际电视剧的分析，来调查2019年全球原创电视剧中女性代表的平等程度。总体而言，2019年Netflix电视剧中的女性代表符合现有电视研究文献的结论，即女性在屏幕上和幕后的代表性不足。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Critical Studies in Television FILM, RADIO, TELEVISION-

CiteScore

2.10

自引率

30.00%

发文量

期刊介绍： Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.