{"title":"Deindustrialization Without End: Smokestacks as Postindustrial Monuments","authors":"B. Rosa","doi":"10.1080/2373566X.2022.2092530","DOIUrl":null,"url":null,"abstract":"This photographic essay explores how obsolete smokestacks were recast as postindustrial monuments in the urban design-led “reconstruction” of Barcelona since the 1970s. Within the context of the “long goodbye” of deindustrialization, the accompanying text traces how industrial chimneys were re-signified and monumentalized. The images, result of a photographic survey of all remaining smokestacks in the city, frame these industrial obelisks within the transformation of their surrounding landscapes. They constitute a key element of an ongoing investigation melding creative practice and qualitative research, in which I argue that serial photography and participatory curatorial practice can elucidate the ambivalent experiences of deindustrialization.","PeriodicalId":53217,"journal":{"name":"Geohumanities","volume":"99 1","pages":"230 - 255"},"PeriodicalIF":1.0000,"publicationDate":"2022-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Geohumanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/2373566X.2022.2092530","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"GEOGRAPHY","Score":null,"Total":0}
引用次数: 0
Abstract
This photographic essay explores how obsolete smokestacks were recast as postindustrial monuments in the urban design-led “reconstruction” of Barcelona since the 1970s. Within the context of the “long goodbye” of deindustrialization, the accompanying text traces how industrial chimneys were re-signified and monumentalized. The images, result of a photographic survey of all remaining smokestacks in the city, frame these industrial obelisks within the transformation of their surrounding landscapes. They constitute a key element of an ongoing investigation melding creative practice and qualitative research, in which I argue that serial photography and participatory curatorial practice can elucidate the ambivalent experiences of deindustrialization.