Eumenides and the Invention of Politics

Abstract

Recent scholarship has shown that the Eumenides of Aeschylus, far from presenting a complete and coherent picture of the well-ordered polis, in fact offers something quite different, namely, a complex set of questions, concerns and conundrums regarding the very nature of political society. But I suggest that the literature has not yet provided a fully satisfying account of the ways in which those questions are underwritten by the specifically literary practice of Aeschylus as it develops the play’s larger theoretical – especially moral – implications. I argue that the Eumenides can fruitfully be read as a sustained exercise in the subversion of expectations that unsettles its audience and thereby opens up a discursive and aesthetic space for the development of a distinctive political problematic; and further, that this problematic involves a challenging series of meditations on what today would be called political ethics, broadly conceived.