BRICK-MAKING IN MEDIEVAL LIVONIA - THE ESTONIAN EXAMPLE

Pub Date : 2013-12-01 DOI:10.3176/ARCH.2013.2.03
R. Bernotas
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引用次数: 4

Abstract

Introduction In the area that makes up modern-day Estonia, medieval brick buildings have been found in several different towns. Despite this fact, medieval brick-making has still not yet been specifically studied. As the production of bricks as a field of research on its own has been somewhat neglected, even less attention has been given to its different aspects, which bear witness to brick-making, such as for example the waste-bricks. Through archaeology, we can detect a revival of brick production in Lombardy, northern Italy, shortly before the middle of the 12th century. In the middle of the 12th century the use of this technique spread to northern Europe, to both Germany and Denmark (Kristensen 2007, 230). During the late 12th and the first half of 13th century the use of brick technology spread quickly over the territories of Poland, Pomerania and Prussia (Herrmann 2012, 266), and to many other parts of Europe, particularly to places which lacked good building stone (Kristensen 2007, 230). The brick building has been noted to arrive in the present day Swedish and Baltic region in the 13 th century (Ratilainen 2012a, 15 f., and references therein). In the northern Baltic, masonry skills along with brick building supposedly arrived in Finland in the late 13 th century (Drake 2007, 115; see also Harjula & Immonen 2012, 184). From the 13 th century, brick became prevalent in ambitious architecture in Pomerania (Biermann 2012, 266). The most important creators of early brick architecture in these regions were monastic orders and orders of knights (Herrmann 2012, 266). The oldest brickyards in Prussia, which belonged to the Dominican Order, emerged in Kulm and in Elbing. Whether they provided the material only for the construction of the respective monasteries or also for the other urban construction companies is uncertain (Torbus 1998, 316). It is worth mentioning that many of the earliest examples of brick buildings represent the highest quality of brick production and building techniques (Herrmann 2012, 266). Brick-making (Fig. 1) was one of the prerequisites for the implementation of various construction projects which were run by noblemen. Aristocracy was responsible for remodelling the landscape in addition to creating designed landscapes. Noblemen were involved in planning and re-planning villages and open fields, markets and boroughs, in founding and remodelling churches and monasteries, and so on (Hansson 2006, 20). The creation of monuments was thus a way for local communities to gain prestige, but also a way of showing a new attitude towards nature. Castles, churches, monasteries, towns and manors all gave the places where they were situated a special meaning in the local society, often of different kinds of power (op. cit., 39). [FIGURE 1 OMITTED] Brick-making strongly depends on the availability of clay. Once appropriate clay is located to make brick, there are six basic steps in brick-making: (1) mining, or "winning"; (2) preparation; (3) moulding, or "forming"; (4) drying; (5) firing, or "burning"; and (6) grading, or sorting of finished products for sale (Peres & Connaster 2008, 106; see also Smith 2004, 259 f.; 1985). The bricks were produced by pressing well-kneaded clay, sand and water into a form and thus, with the removal of surplus clay, a regular block was produced. Afterwards a raw brick was knocked out of the form and transported to a drying ground, where they hardened ready for firing (Kristensen 2007, 231). In the cities of Prussia several brickyards usually existed, which satisfied the demand of different builders. These brickyards were probably operated by different organizations. There were municipal, private, as well as specific church buildingoriented brickyards. The urban brickyards were usually under the control of the town councils, which could operate it themselves or lease it to different people. In smaller towns, the number of brickyards was much lower (Herrmann 2007, 136 f. …
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中世纪利沃尼亚的制砖——以爱沙尼亚为例
在构成现代爱沙尼亚的地区,在几个不同的城镇发现了中世纪的砖建筑。尽管如此,中世纪的制砖术还没有被专门研究过。由于砖的生产作为一个单独的研究领域在某种程度上被忽视了,甚至很少有人注意到它的不同方面,这些方面见证了制砖,例如废砖。通过考古,我们可以发现在12世纪中期前不久,意大利北部伦巴第地区砖生产的复兴。在12世纪中期,这种技术的使用传播到北欧,德国和丹麦(Kristensen 2007,230)。在12世纪末和13世纪上半叶,砖技术的使用在波兰、波美拉尼亚和普鲁士的领土上迅速传播(Herrmann 2012, 266),以及欧洲的许多其他地区,特别是缺乏优质建筑石材的地方(Kristensen 2007, 230)。砖砌建筑在13世纪出现在今天的瑞典和波罗的海地区(Ratilainen 2012a, 15 f.,以及其中的参考文献)。在波罗的海北部,砖石砌筑技术和砖砌建筑据说是在13世纪晚期传入芬兰的(Drake 2007,115;另见Harjula & Immonen 2012, 184)。从13世纪开始,砖在波美拉尼亚雄心勃勃的建筑中变得普遍(Biermann 2012, 266)。这些地区早期砖建筑最重要的创造者是修道会和骑士团(Herrmann 2012, 266)。普鲁士最古老的砖厂出现在库尔姆和埃尔宾,属于多米尼加骑士团。他们是否仅为各自修道院的建设提供材料,还是也为其他城市建筑公司提供材料,这是不确定的(Torbus 1998, 316)。值得一提的是,许多最早的砖建筑代表了砖生产和建筑技术的最高质量(Herrmann 2012, 266)。制砖(图1)是贵族经营的各种建筑工程得以实施的先决条件之一。除了创造设计好的景观外,贵族还负责重塑景观。贵族参与规划和重新规划村庄和开阔的田野,市场和行政区,建立和改造教堂和修道院,等等(汉森2006,20)。因此,纪念碑的创建是当地社区获得声望的一种方式,也是一种展示对自然的新态度的方式。城堡、教堂、修道院、城镇和庄园都赋予了它们所在的地方在当地社会中的特殊意义,通常代表着不同的权力(同上,第39页)。[图1省略]制砖很大程度上依赖于粘土的可用性。一旦找到合适的粘土来制砖,制砖有六个基本步骤:(1)采矿,或“获胜”;(2)准备;(3)成型或“成形”;(4)干燥;(五)烧制或“燃烧”;(6)成品分级或分拣供销售(Peres & Connaster 2008, 106;另见Smith 2004, 259 f.;1985)。砖是通过将粘土、沙子和水揉捏成一种形式而制成的,因此,除去多余的粘土,就产生了一个规则的块。之后,一块生砖被打出来,运到干燥的地方,在那里它们变硬,准备烧制(Kristensen 2007,231)。在普鲁士的城市中,通常存在几个砖厂,以满足不同建筑商的需求。这些砖厂可能是由不同的组织经营的。有市政的,私人的,以及特定的教堂建筑导向的砖厂。城市砖厂通常由镇议会控制,镇议会可以自己经营,也可以租给别人。在小城镇,砖厂的数量要少得多(Herrmann 2007, 136 f. ...)
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