Projected on the Dusk: Seeking Cinema in 1910s and 1920s Japanese Poetry

IF 0.2 0 LITERATURE
Andrew Campana
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引用次数: 0

Abstract

In this article, I explore a set of poetic works from early 20th-century Japan that took cinema—films, movie theaters, screenings, sets, and a variety of cinematic technologies—as their main subject. An enormous range of poets, including some of modern Japanese poetry’s most canonical figures, took a diverse set of approaches to the subject matter, but all were less interested in portraying films themselves, and more in how poetry could use “cinema” and the “cinematic” to grapple with questions of memory, media, ecology, the body, and social change. Looking at these works—most of which appear here in English for the first time—we can find a new archive of early cinematic thought and sensation not bound to the screen.
投影在黄昏上:寻找1910年代的电影和1920年代的日本诗歌
在这篇文章中,我探索了一组来自20世纪初日本的诗歌作品,这些作品以电影、电影院、放映、布景和各种电影技术为主题。大量诗人,包括一些现代日本诗坛的权威人物,对这一主题采取了各种各样的方法,但他们都对描绘电影本身不太感兴趣,而更感兴趣的是诗歌如何利用“电影”和“电影”来解决记忆、媒体、生态、身体和社会变革等问题。看看这些作品——其中大部分是第一次以英文出现在这里——我们可以找到一个新的档案,它记录了早期电影的思想和感觉,而不是局限于屏幕。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Childrens Literature
Childrens Literature LITERATURE-
CiteScore
0.30
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0.00%
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