A personal reflection on using embodied drama to explore Indigenous perspectives in the classroom

IF 1
Danielle Hradsky
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引用次数: 4

Abstract

Abstract This paper provides an account of using embodied drama practices to explore two poems by Indigenous authors (Oodgeroo Noonuccal and Travis Eulo) with Year 9 Drama classes at a Victorian state secondary school. The work has been shaped by the author’s position as a non-Indigenous teacher-researcher endeavouring to fulfil both curriculum requirements and the Protocols for Koorie Education. It focuses on the challenges of engaging with complex and sensitive texts and provides practical examples of putting available protocols into practice. Reflections on problems enered as well as positive outcomes provide a starting-point for similar work. The impact on students and other participants is demonstrated through interviews made throughout the teaching process.
运用具身戏剧在课堂上探索原住民观点的个人思考
摘要:本文在维多利亚州一所州立中学的九年级戏剧课上,运用具象戏剧实践来探讨土著作家(Oodgeroo Noonuccal和Travis Eulo)的两首诗。作者作为一名非土著教师研究人员,努力满足课程要求和《Koorie教育议定书》,这一立场影响了他的工作。它侧重于处理复杂和敏感文本的挑战,并提供了将现有协议付诸实践的实际示例。对问题的反思和积极的成果为类似的工作提供了一个起点。对学生和其他参与者的影响通过在整个教学过程中进行的访谈来展示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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20.00%
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2
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