Creating and Performing Contemporary Music as a Way of Learning

IF 0.3 4区 教育学 Q4 EDUCATION & EDUCATIONAL RESEARCH
Barbara Sicherl Kafol, Olga Denac
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引用次数: 0

Abstract

The article analyses the results of a case study on a workshop for contemporary music which represents an excellent example of arts partnership in Slovenia. The aim of the workshop was to stimulate creative use of contemporary musical language in connection with the development of the lifelong cultural awareness and expression competence. The results of the interviews with 17 participants of the workshop pointed out the complex occurrence of various indicators, which, at the level of personal, social and intellectual competences, determined the nature of musical expression through contemporary music and indirectly influenced the development of the lifelong cultural awareness and expression competence. Through the creative process, participants expressed motivation and sensitivity for contemporary music and developed their musical abilities as well as their sense of community and self-identity. The identified challenges included students’ lack of musical experience with contemporary music, the low priority given to contemporary music in schools as well as teachers’ lack of professional knowledge in this field.
创作和表演当代音乐作为一种学习方式
本文分析了一个当代音乐研讨会的案例研究结果,该研讨会代表了斯洛文尼亚艺术伙伴关系的一个极好的例子。工作坊的目的是激发当代音乐语言的创造性使用,与终身文化意识和表达能力的发展有关。对17名工作坊参与者的访谈结果指出,在个人、社会和智力水平上,各种指标的复杂发生决定了当代音乐表达的性质,并间接影响了终身文化意识和表达能力的发展。透过创作的过程,参加者表达了对当代音乐的兴趣和感受,并发展了他们的音乐能力、社区意识和自我认同感。所发现的挑战包括学生缺乏当代音乐的音乐经验,学校对当代音乐的重视程度较低以及教师缺乏这一领域的专业知识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.70
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