The activities of the Society for the study of literature as a factor in the formation of realism in China

IF 0.1 0 LANGUAGE & LINGUISTICS
N. Zakharova
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Abstract

The article analyzes the activities of the members of the “Society for the Study of Literature”, established in 1921 and up to the mid-30s determined the direction of development of Chinese literature. The Declaration of the Society reflected the views of both Chinese traditionalists, who defended the principles of Confucian literature, and those progressive writers who advocated the transition to new artistic techniques, which should include elements of realism, in particular, in “problem stories” — a new genre of modern Chinese literature. This genre has not yet become the subject of research by Russian sinologists, although Chinese literary critics have noted its role in the formation of modern Chinese literature. The task of identifying innovations in the genre of “problem prose” is solved by analyzing the stories of Bing Xin and Wang Tongzhao, members of the “Society for the Study of Literature”, who for the first time made the object of their attention the unsightly reality of contemporary Chinese society. The heroes of these works come from different social strata, they suffer to varying degrees when faced with the cruelty of the world around them, and find different ways to resist it. In “problem prose” we see a combination of styles of artistic and journalistic narration, strengthening the role of the author, life authenticity. As a result of the study, it was concluded that the gradual accumulation of new artistic elements in prose further contributed to the strengthening of realistic components in the narratives of Chinese writers.
文学研究会的活动是中国现实主义形成的一个因素
文章分析了1921年成立的“文学研究会”成员的活动,直到30年代中期决定了中国文学的发展方向。《社会宣言》反映了中国传统主义者和进步作家的观点,前者捍卫儒家文学的原则,后者主张向新的艺术技巧过渡,其中应该包括现实主义元素,特别是“问题故事”——中国现代文学的一种新体裁。尽管中国的文学评论家已经注意到它在中国现代文学形成中的作用,但这种体裁尚未成为俄罗斯汉学家的研究对象。通过分析“文学研究会”成员冰心和王同钊的故事,我们可以确定“问题散文”体裁的创新,他们第一次把他们关注的对象放在了当代中国社会的丑恶现实上。这些作品中的主人公来自不同的社会阶层,他们在面对周围世界的残酷时遭受了不同程度的痛苦,并找到了不同的反抗方式。在“问题散文”中,我们看到了艺术与新闻叙事风格的结合,强化了作者的角色,生活的真实性。研究结果表明,散文中新的艺术元素的逐渐积累,进一步促进了中国作家叙事中的现实主义成分的加强。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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