Exploring the networked image in ‘post’ art practices

Q3 Arts and Humanities
Garrett Lynch
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引用次数: 1

Abstract

This article presents and discusses a series of four networked artworks undertaken since 2013. The artworks are performative, created within the web over a duration of time, are visible to an audience throughout their creation and as such can be considered as durational networked performances. Different in subject matter they overlap considerably in themes, form and methods employed and constitute a body of research that explores the networked image in relation to a number of 'post' art practices. Specifically this includes the questioning of media and form through postmedia, post-photographic, post-digital, post-internet and post-screen practices as well as addressing the manner in which the artist creates through post-disciplinary and postproduction methods.
探索“后”艺术实践中的网络化图像
本文介绍并讨论了自2013年以来进行的一系列四件网络艺术作品。这些艺术作品是表演性的,在一段时间内在网络上创作,在整个创作过程中对观众是可见的,因此可以被视为持续的网络表演。不同的主题,它们在主题,形式和方法上有很大的重叠,并构成了一个研究体系,探索与许多“后”艺术实践相关的网络图像。具体而言,这包括通过后媒体、后摄影、后数字、后互联网和后屏幕实践对媒介和形式的质疑,以及通过后学科和后期制作方法解决艺术家的创作方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Virtual Creativity
Virtual Creativity Arts and Humanities-Arts and Humanities (miscellaneous)
CiteScore
0.90
自引率
0.00%
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0
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