Reconstructing Realism in Post-Postmodern Narrative: Dave Eggers’s A Heartbreaking Work of Staggering Genius

IF 0.3 0 LANGUAGE & LINGUISTICS
Jesús Bolaño Quintero
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引用次数: 1

Abstract

By analysing Dave Eggers’s autofictional work A Heartbreaking Work of Staggering Genius, this article attempts to reveal the role of this author in the post-postmodern narrative of the turn of the millennium. Following in the wake of David Foster Wallace, Eggers’s solution to overcome the problems created by postmodernism is a kind of writing based on honesty. Through a rebirth of the author, the objective of Eggers’s New Sincerity is the democratization of narrative in order to create a sensibility network aimed at ending the solipsism brought about by postmodern linguistic relativism. However, this new sensibility is reminiscent of pre-postmodern fundamentalism. The use of meta-metafiction based on the use of neo-Romantic irony enables Eggers to create an escape valve that allows for the creation of a metamodern oscillation—as described by Tim Vermeulen and Robin van den Akker.
在后后现代叙事中重构现实主义:戴夫·埃格斯令人心碎的惊人天才作品
本文通过分析戴夫·埃格斯的自传体小说《惊人天才的心碎之作》,试图揭示这位作者在千禧年之交的后后现代叙事中的角色。继大卫·福斯特·华莱士之后,埃格斯克服后现代主义带来的问题的解决方案是一种基于诚实的写作。通过作者的重生,埃格斯的《新真诚》的目标是叙事的民主化,以建立一个旨在结束后现代语言相对主义带来的唯我主义的感性网络。然而,这种新的敏感性让人想起了前后现代原教旨主义。基于新浪漫主义反讽的元小说的使用使埃格斯创造了一个允许创造元现代振荡的安全阀——正如蒂姆·维默伦和罗宾·范登·阿克所描述的那样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Complutense Journal of English Studies
Complutense Journal of English Studies LANGUAGE & LINGUISTICS-
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