{"title":"Uses Of Natural Dyes To Develop Tiga Negeri Batik","authors":"Theresia Widyastuti","doi":"10.31091/mudra.v39i1.2504","DOIUrl":null,"url":null,"abstract":"Tiga Negeri batik began to be made in the late 18th century on the north coast of Java island but its dyeing process was made in three cities, namely Lasem, Pekalongan, and Surakarta. The term three refers not only to the number of colors but also to the combination of three cultures behind the style, namely Java, China, and Europe. This field research using qualitative methods aims to explore the possibility of developing Tiga Negeri batik through the use of natural coloring from plants. Data were collected through observation and interviews with batik artisans in Lasem, Pekalongan and Surakarta, as well as batik artisans who are also natural dye activists and who are members of the Indonesian Natural Dyers Association living in Kediri and Jombang. The result is that Tiga Negeri batik with environmentally friendly natural dyes can be achieved despite still having to use a small amount of artificial dyes, especially for the red color. This effort to return to natural dyes is mainly because this type of batik attracts the attention of international consumers in particular, and domestic consumers in general.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":"4 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mudra Jurnal Seni Budaya","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31091/mudra.v39i1.2504","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Tiga Negeri batik began to be made in the late 18th century on the north coast of Java island but its dyeing process was made in three cities, namely Lasem, Pekalongan, and Surakarta. The term three refers not only to the number of colors but also to the combination of three cultures behind the style, namely Java, China, and Europe. This field research using qualitative methods aims to explore the possibility of developing Tiga Negeri batik through the use of natural coloring from plants. Data were collected through observation and interviews with batik artisans in Lasem, Pekalongan and Surakarta, as well as batik artisans who are also natural dye activists and who are members of the Indonesian Natural Dyers Association living in Kediri and Jombang. The result is that Tiga Negeri batik with environmentally friendly natural dyes can be achieved despite still having to use a small amount of artificial dyes, especially for the red color. This effort to return to natural dyes is mainly because this type of batik attracts the attention of international consumers in particular, and domestic consumers in general.
Tiga Negeri蜡染于18世纪后期在爪哇岛北部海岸开始制作,但其染色过程是在三个城市进行的,即Lasem, Pekalongan和Surakarta。“三”一词不仅指颜色的数量,还指这种风格背后的三种文化的结合,即爪哇、中国和欧洲。本实地研究采用定性方法,旨在探索通过使用植物的天然色素来开发尼日利亚蜡染的可能性。通过观察和采访拉萨姆、北加隆岸和苏拉arta的蜡染工匠,以及居住在Kediri和Jombang的天然染料活动家和印度尼西亚天然染料协会成员的蜡染工匠,收集了数据。结果是,尽管仍然需要使用少量的人造染料,特别是红色,但仍然可以实现环保天然染料的Tiga Negeri蜡染。这种回归天然染料的努力主要是因为这种类型的蜡染特别吸引了国际消费者的注意,而国内消费者一般。