Connected portfolios: open assessment practices for maker communities

IF 1.6 Q2 INFORMATION SCIENCE & LIBRARY SCIENCE
A. Keune, K. Peppler, M. Dahn
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引用次数: 1

Abstract

Purpose In contrast to traditional portfolio practices that focus on the individual, this paper aims to reenvision portfolio practices to encompass sociocultural aspects of learning by considering how young makers, both in- and out-of-school, imbue digital cultural practices into the documenting and showcasing of their work, as well as observe the extent to which their portfolios are used to build community inside and outside their local settings. Design/methodology/approach Drawing from a connected learning approach, the authors engaged in qualitative and ethnographic study of youth’s digital maker portfolios in an out-of-school and a school-based makerspace. Through qualitative and thematic coding of portfolio walkthroughs, the authors identified four underlying characteristics within portfolio artifacts (i.e. personal and shared projects) and capturing practices (i.e. personal and shared capturing practices) that differently presented projects. Findings The analysis showed that portfolios that included shared productions and shared portfolios (i.e. projects and portfolios contributed to by more than one youth) and that were shared in open-ended ways across communities valued connected learning principles. These connected portfolios made community building within and beyond maker-educational communities of the young makers possible. In particular, openly shared and collaboratively captured work showed individual achievements (e.g. projects and techniques) and made visible connective and social engagement (e.g. opportunities for feedback and refinement, possibilities to narrate work to multiple audiences). Originality/value This paper has implications for the design of portfolio assessment in makerspaces and expands the role of portfolios as a way to capture individual and cognitive achievements alone toward connected community-building opportunities for youth as well as maker-centered settings within and beyond the youth’s local maker-centered settings.
互联投资组合:创客社区的开放评估实践
与关注个人的传统作品集实践相反,本文旨在通过考虑年轻创客在学校内外如何将数字文化实践融入到他们的作品的记录和展示中,并观察他们的作品集在多大程度上用于在当地环境内外建立社区,从而重新构想作品集实践,以涵盖学习的社会文化方面。设计/方法/方法借鉴关联学习方法,作者在校外和基于学校的创客空间中对青年的数字创客组合进行了定性和民族志研究。通过项目组合演练的定性和主题编码,作者在项目组合工件(即个人的和共享的项目)和不同呈现项目的获取实践(即个人的和共享的获取实践)中确定了四个潜在的特征。分析表明,包括共享作品和共享作品集(即由多个年轻人贡献的项目和作品集)以及在社区间以开放式方式共享的作品集重视连接学习原则。这些相互关联的组合使得年轻创客的创客教育社区内外的社区建设成为可能。特别是,公开共享和协作捕获的工作显示了个人成就(例如项目和技术),并使可见的联系和社会参与(例如反馈和改进的机会,向多个受众讲述工作的可能性)。原创性/价值本文对创客空间的投资组合评估设计具有启示意义,并扩展了投资组合作为一种捕捉个人和认知成就的方式的作用,从而为青年提供连接的社区建设机会,并在青年的本地创客中心环境内外建立以创客为中心的环境。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Information and Learning Sciences
Information and Learning Sciences INFORMATION SCIENCE & LIBRARY SCIENCE-
CiteScore
9.50
自引率
2.90%
发文量
30
期刊介绍: Information and Learning Sciences advances inter-disciplinary research that explores scholarly intersections shared within 2 key fields: information science and the learning sciences / education sciences. The journal provides a publication venue for work that strengthens our scholarly understanding of human inquiry and learning phenomena, especially as they relate to design and uses of information and e-learning systems innovations.
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