Visually-based Knowingly Illusory Presence and Picture Display

Q2 Arts and Humanities
A. Voltolini
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引用次数: 0

Abstract

The aim of this paper is twofold. First, I want to show how picture perception is specifically presentational, hence specifically perceptual, by suitably reinterpreting Richard Wollheim’s conception of seeing-in. Picture perception is such for it only ascribes the presence of the picture’s subject in its content, but not in its mode, for the subject is visually known not to be there: thus, it amounts to a knowingly illusory perceptual experience of such a presence. Second, I want to show how this presentational specificity does not prevent the picture itself from being properly presentational of the properties that are ascribed, within its perception, to its subject: the design properties of the picture’s vehicle present the perceivable properties ascribed to the picture’s subject just as the sensory features of a standard perceptual experience present the perceivable properties of its object.
基于视觉的明知的虚幻存在和图片展示
本文的目的是双重的。首先,我想通过适当地重新解释理查德·沃尔海姆的“内视”概念,来展示图像感知是如何具有特定的表象性,从而具有特定的感性。图像感知是这样的,因为它只将图像主体的存在归因于其内容,而不是其模式,因为视觉上知道主体不存在:因此,它相当于对这种存在的有意识的虚幻感知体验。其次,我想展示的是,这种表征的特殊性如何不妨碍图片本身恰当地表征在其感知范围内归属于其主体的属性:图片交通工具的设计属性呈现了归属于图片主体的可感知属性,就像标准感知体验的感官特征呈现了其客体的可感知属性一样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Phenomenology and Mind
Phenomenology and Mind Arts and Humanities-Philosophy
CiteScore
0.70
自引率
0.00%
发文量
16
审稿时长
25 weeks
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