{"title":"Tari Baris Gede Télék at Pura Dalem Kedewatan Desa Adat Sanur: A Study of Form and Function","authors":"A. Agung, Made Anom, W. Kusuma, M. Jazuli","doi":"10.31091/mudra.v38i3.2351","DOIUrl":null,"url":null,"abstract":"The people of Sanur Traditional Village preserve culture through a process of solidarity, meaning the process between the dance performance of Baris Gede Télék as a local art entity and the local community as its supporters who are faced with something sublimation. The sublimation in question is a process of adjusting society to the development of newer times, but not abandoning existing art. The focus of this research is the form and function of Baris Gede Télék dance. The purpose of this research is to increase understanding and awareness of Balinese art, especially in Baris Gede Télék dance in life, which will basically always exist and remain sustainable. The method used as the basis for the analysis stage is a qualitative method that is descriptive-analytical by identifying and describing a phenomenon that occurs in the field as it is. The sources presented in this paper are obtained from direct observation, then an interview was conducted with the relevant informant, and deepened by the study of documents obtained from a collection of archives, books, videos, and audio recordings related to Baris Télék dance. The collected data is then analyzed through the stages of data reduction, data presentation, and data verification before the data is concluded. With the application in the cultural inheritance space, the people of Sanur Traditional Village are expected to be able to be faced with a process of educating the self-awareness of the community as cultural supporters in the context of directing art, so as to form a character value that will have a major influence on the development of the local community.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mudra Jurnal Seni Budaya","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31091/mudra.v38i3.2351","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The people of Sanur Traditional Village preserve culture through a process of solidarity, meaning the process between the dance performance of Baris Gede Télék as a local art entity and the local community as its supporters who are faced with something sublimation. The sublimation in question is a process of adjusting society to the development of newer times, but not abandoning existing art. The focus of this research is the form and function of Baris Gede Télék dance. The purpose of this research is to increase understanding and awareness of Balinese art, especially in Baris Gede Télék dance in life, which will basically always exist and remain sustainable. The method used as the basis for the analysis stage is a qualitative method that is descriptive-analytical by identifying and describing a phenomenon that occurs in the field as it is. The sources presented in this paper are obtained from direct observation, then an interview was conducted with the relevant informant, and deepened by the study of documents obtained from a collection of archives, books, videos, and audio recordings related to Baris Télék dance. The collected data is then analyzed through the stages of data reduction, data presentation, and data verification before the data is concluded. With the application in the cultural inheritance space, the people of Sanur Traditional Village are expected to be able to be faced with a process of educating the self-awareness of the community as cultural supporters in the context of directing art, so as to form a character value that will have a major influence on the development of the local community.
Sanur传统村的人们通过一个团结的过程来保存文化,这一过程意味着Baris Gede tsamlsamac作为当地艺术实体的舞蹈表演与当地社区作为其支持者之间的过程,后者面临着某种升华。这里所说的升华是一个调整社会以适应新时代发展的过程,而不是放弃现有的艺术。本文研究的重点是巴里斯格德-塔斯海姆舞蹈的形式和功能。本研究的目的是增加对巴厘艺术的了解和认识,特别是生活中的Baris Gede tsamlsamk舞蹈,它将基本永远存在并保持可持续发展。作为分析阶段基础的方法是一种定性方法,通过识别和描述该领域中发生的现象来进行描述性分析。本文所提供的资料来源是通过直接观察获得的,然后对相关的线人进行了采访,并通过研究从与Baris tastimac舞蹈有关的档案,书籍,视频和录音中获得的文件而加深。收集到的数据经过数据还原、数据呈现、数据验证等阶段进行分析,最后得出结论。通过在文化传承空间的应用,期望萨努尔传统村落的人们能够在艺术指导的语境中面对一个教育社区作为文化支持者的自我意识的过程,从而形成一种对当地社区发展产生重大影响的性格价值。