The impact of training frequency on young dancers’ imagery use and ability

Krista J. Munroe-Chandler, Irene L. Muir
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Abstract

It is well established that adult dancers have the ability to image and use various types of imagery (e.g., metaphorical, character/role) when training and performing; yet less is known about young dancers. From in-depth interviews, young dancers have reported using various types of imagery (e.g., technique, metaphorical, goal, environment, and motivational) and that their images were multisensory in nature including visual and kinesthetic modalities. Moreover, dance instructors have been found to influence their dancers’ use of imagery and imagery ability through incorporation and encouragement in their classes. However, the impact of training frequency on young dancers’ imagery use and ability has yet to be assessed. Therefore, the purpose of the current study was to examine imagery use, using the Dance Imagery Questionnaire for Children, and imagery ability, using the Movement Imagery Questionnaire for Children in dancers with different training frequency (i.e., number of classes per week). It was hypothesized that dancers with more weekly training would have higher imagery use and ability than dancers with less weekly training. The participants were dancers of various styles (e.g., ballet, tap, jazz, contemporary) between the ages of 7-14 years (Mage = 11.05, 1.88), with 36 dancers training 1- 4 dance classes/week, and 24 training 5-9 or more dance classes/week. A significant difference was found for metaphorical/role imagery such that dancers who trained more often used this imagery type more frequently than dancers who trained less often. Although the dancers who trained most scored higher on all imagery ability subscales (internal, external, and kinesthetic), no significant difference between the two dance groups was found. Based on the current findings, dance teacher training interventions are needed to guide and encourage young dancers’ imagery use and ability.

训练频率对青年舞者形象运用及能力的影响
在训练和表演时,成年舞者有能力想象和使用各种类型的意象(例如,隐喻、人物/角色),这是公认的;然而,人们对年轻舞者的了解却很少。从深度访谈中,年轻舞者报告了使用各种类型的图像(例如,技术,隐喻,目标,环境和动机),并且他们的图像本质上是多感官的,包括视觉和动觉模式。此外,舞蹈教师还通过在课堂上的融入和鼓励来影响舞者对意象的使用和意象能力。然而,训练频率对年轻舞者形象运用和能力的影响还有待评估。因此,本研究的目的是检查不同训练频率(即每周上课次数)的舞者使用儿童舞蹈意象问卷的意象使用情况,以及使用儿童动作意象问卷的意象能力。假设每周训练更多的舞者比每周训练较少的舞者有更高的图像使用和能力。参与者是年龄在7-14岁之间的各种风格的舞者(如芭蕾舞、踢踏舞、爵士、现代舞)(Mage = 11.05, 1.88),其中36名舞者每周训练1- 4节舞蹈课,24名舞者每周训练5-9节或更多的舞蹈课。在隐喻/角色意象方面发现了显著的差异,例如,经常训练的舞者比不经常训练的舞者更频繁地使用这种意象类型。尽管训练最多的舞者在所有意象能力量表(内部、外部和动觉)上得分更高,但两组舞蹈之间没有发现显著差异。基于目前的研究结果,舞蹈教师培训干预需要引导和鼓励年轻舞者的形象使用和能力。
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