Xentrificación e comunidade artística en Lisboa

IF 0.1 N/A ART

Quintana-Revista do Departamento de Historia da Arte Pub Date : 2019-03-01 DOI:10.15304/QUI.17.5161

Miguel Anxo Rodríguez González, Iago Lestegás

引用次数: 0

Abstract

Lisbon is undergoing a profound and rapid process of urban transformation that began in the immediate wake of the 2008 financial crisis. Driven by a tourism boom and significant offshore investment in real estate, the rehabilitation of the city’s historic centre continues apace, substantially improving its buildings but triggering a massive increase in house prices that is making the city increasingly unaffordable for its inhabitants. In this study we focus on the artistic community, examining how it has been affected by this phenomenon and identifying its perceptions of it. In analysing the establishing of various independent groups in central and more peripheral areas of the Portuguese capital, we posit that the artistic community is first a driver and then a victim of the gentrification of the districts where it settles.

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里斯本正在经历一场深刻而快速的城市转型过程，这一过程始于2008年金融危机之后。在旅游业繁荣和大量海外房地产投资的推动下，这座城市历史中心的修复工作继续快速进行，大大改善了其建筑，但引发了房价的大幅上涨，使这座城市的居民越来越负担不起。在这项研究中，我们将重点放在艺术界，研究它是如何受到这一现象的影响，并确定其对这一现象的看法。在分析葡萄牙首都中心和周边地区各种独立团体的建立时，我们认为艺术社区首先是其所在地区中产阶级化的推动者，然后是受害者。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Quintana-Revista do Departamento de Historia da Arte ART-

CiteScore

0.10

自引率

0.00%

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期刊介绍： QUINTANA is a journal about the history of art, issued annually, which publishes original research papers about any of the specialities related to the Arts, including interdisciplinary approaches that enrich their study. The publication of research papers is structured in two sections: the first one -SUBJECT- is of a monographic character, and its content is planned beforehand by the Editorial Board, who invites well-known specialists in the chosen theme, whilst the second one -ARTICLES- is open to contributions about any theme. The papers which are presented in the ARTICLES section will be subjected to assessment using a double-blind review process with anonymity for both authors and reviewers (peer-review process). The journal will use two reviewers, members of the Scientific Committee or academic experts, to assess each article received, and will resort to a third reviewer in the case of discrepancy. The articles which are finally published will include reception and acceptance dates. The journal’s Director and the Editorial Board will have ultimate responsibility for the selection process, and will communicate the editorial decisions to the authors.

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