The Nature of Pictorial Representations

Q2 Arts and Humanities
G. Ferretti
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引用次数: 3

Abstract

A crucial question in the study of picture perception asks about whether, when perceiving an object in a picture, we see only the depicted scene or, rather, we simultaneously see both the depicted scene and the surface. Two different views have fueled the debate since a long time. According to Wollheim, we see both the depicted scene and the picture’s surface simultaneously. Call this the ‘simultaneous account of picture perception’ (SA). SA is in contrast with Gombrich’s view that, during picture perception, we do not simultaneously see both the depicted scene and the surface, but we alternate between these two visual states. Call this the ‘non-simultaneous account of picture perception’ (NA). The debate between these two positions still persists in the contemporary literature on picture perception. In this paper, I first analyze the notion of vision SA and NA are committed to. Then, by discussing empirical evidence from vision science, I offer an argument that supports SA.
绘画表现的本质
图片感知研究中的一个关键问题是,当我们感知图片中的物体时,我们是否只看到了所描绘的场景,或者更确切地说,我们同时看到了所描绘的场景和表面。长期以来,两种不同的观点引发了争论。根据Wollheim的说法,我们同时看到被描绘的场景和画面的表面。我们称之为“图像感知的同时描述”(SA)。SA与贡布里希的观点相反,在图像感知过程中,我们并不是同时看到被描绘的场景和表面,而是在这两种视觉状态之间交替。我们称之为“图像感知的非同时描述”(NA)。这两种观点的争论在当代的图像感知文献中仍然存在。在本文中,我首先分析了SA和NA所致力于的视觉概念。然后,通过讨论视觉科学的经验证据,我提出了一个支持SA的论点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Phenomenology and Mind
Phenomenology and Mind Arts and Humanities-Philosophy
CiteScore
0.70
自引率
0.00%
发文量
16
审稿时长
25 weeks
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