Making Process and Meaning the Ceramic Puppet Kamasan Illustrations in Cultural Conservation Efforts in Bali

I. Mudra, I. K. MUKA P., I. Suardana, A. A. G. R. Remawa
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Abstract

Abstract: The advantage ceramic of Balinese Kamasan ornament, it has a very strong Balinese identity. Therefore, the this ceramic creation was a novel creation by ceramic artists in Indonesia. Purpose this study to explain the process creation, types of products, and the meaning of ceramic craft creation the Balinese Kamasan puppet. The determination data sources by purposive sampling. Data collection methods by observation, interview, and documentation techniques. The results of creation process consisted of several stages with a fairly long process, from the design to the final combustion process, which iscombusting the puppet ornaments on the ceramics surface at a temperature 10000C. The types of ceramic products produced, namely sangku (holy water container) and jars in several variations. Each ornament presents a snippet of a puppet story which is useful as a reflection of human life. The meaning shown from this creation was creativity, preservation, economy, and the national identity. The study finding was the ceramic creation process required a long time and high accuracy with painting techniques. The conclusion was this creation process requires patience and thoroughness and is part of the preservation of Balinese culture.
峇里岛文化保护工作中陶偶卡玛珊插画的制作过程及意义
摘要:巴厘卡马山装饰的优势陶瓷,具有很强的巴厘特色。因此,这种陶瓷创作是印尼陶瓷艺术家的一种新颖的创作。摘要本研究目的探讨巴厘卡马山木偶的工艺制作、产品种类及陶瓷工艺制作的意义。目的抽样法测定数据来源。通过观察、访谈和文件技术收集数据的方法。创作过程的结果包括几个阶段,一个相当长的过程,从设计到最后的燃烧过程,即在10000C的温度下燃烧陶瓷表面的木偶装饰品。所生产的陶瓷制品的种类,即僧钵(圣水容器)和坛子等几种变体。每件装饰品都是木偶故事的片段,反映了人类的生活。这种创造所体现的意义是创造、保存、经济和民族认同。研究发现,陶瓷的制作过程需要较长的时间和较高的准确性,并需要绘画技术。结论是,这个创作过程需要耐心和彻底,是保护巴厘岛文化的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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