Sensible/visible: les hijes de detenides desaparecides en Hasta que mueras, de Raquel Robles (2019) y Yo la quise (2020), de Josefina Giglio

IF 0.2 0 LITERARY THEORY & CRITICISM
M. Pino
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引用次数: 0

Abstract

The literature of the children of forced disappeared victims, including that of Raquel Robles and Josefina Giglio, who went through the traumatic experience of the last Argentine civic-military ecclesial business dictatorship in 1976, has been the subject of multiple approaches by vernacular critics (Reati, Domínguez, Basile), or foreign (García Díaz, Bolte, Gatti, et al). In this study, I name the group as lowercase in order to displace the institutional character that, although important, can reduce the perspective that I am trying to display. This perspective focuses on questioning what the writing of children of the disappeared contributes in terms of complexity to literary studies within the framework of memory-literature articulation. Thus, I notice an accumulation of writings, whether in the multiple arc of narrative or poetry, where the assumption of the voice that enunciates, in some cases, works the experience in the first person from styles already registered in literature, although the experiences of the authors enhance writings that are difficult to place in literary trends. As if literature were to make visible the very tension that its politicity implies from the narrative voices with one foot in the lived experience and the other in the creative laboratory; It is also necessary to point out that this experience places state politics as the central node since it reconfigured the life not only of the authors but of all society, in this case Argentina. In the selected novels we are faced with what Jacques Rancière (2015, 2011) understands as a principle of action, from which neither literature nor readers can be far from a new ethos. From this it is possible to connect with certain experiences that emerge in this case from both novels and that affect our perception of reality and history. Argentine literature, born in the very bosom of the nation-state, is not the same after the sons once they intervened in the street in the second half of the 90s of the last century to demand justice, they speak in the new millennium and write experiences that affect us all, and that reshape the ways of thinking politics, literature and history.
敏感/可见:在拉奎尔·罗伯斯(Raquel Robles)的《直到你死去》(until que mueras)和约瑟芬娜·吉利奥(Josefina Giglio)的《我想要她》(Yo la quise)中,拘留者的儿子消失了
关于被迫失踪受害者的孩子的文学作品,包括Raquel Robles和Josefina Giglio的作品,他们经历了1976年阿根廷最后一次民事-军事-教会商业独裁统治的创伤经历,一直是国内评论家(Reati, Domínguez, Basile)或外国评论家(García Díaz, Bolte, Gatti等)的多种方法的主题。在本研究中,我将小组命名为小写,以取代制度特征,尽管这很重要,但会降低我试图展示的视角。这一视角聚焦于质疑失踪者儿童的写作在记忆-文学衔接的框架内对文学研究的复杂性有何贡献。因此,我注意到作品的积累,无论是在叙事还是诗歌的多重弧线中,在某些情况下,声音的假设阐明了文学中已经登记的第一人称的经验,尽管作者的经验增强了难以在文学趋势中放置的作品。就好像文学是为了让人们看到它的政治性所隐含的张力它的叙事声音一只脚踏在生活经验中另一只脚踏在创作实验室中;还有必要指出的是,这一经验将国家政治置于中心节点,因为它不仅重新配置了作者的生活,而且重新配置了整个社会的生活,在这种情况下是阿根廷。在小说选集中,我们面对的是Jacques ranci(2015, 2011)所理解的一种行动原则,文学和读者都离不开一种新的精神气质。由此,我们有可能将这两本小说中出现的某些经历联系起来,这些经历影响了我们对现实和历史的看法。阿根廷文学诞生于民族国家的最深处,在上世纪90年代下半叶,儿子们曾走上街头要求正义,他们在新千年中发言,写下影响我们所有人的经历,重塑了政治、文学和历史的思维方式。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
23
审稿时长
31 weeks
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