{"title":"The Logical Structure of Aristoxenus’s Theory of Music","authors":"W. Detel","doi":"10.25162/afmw-2020-0006","DOIUrl":null,"url":null,"abstract":"It has often been noted that Aristoxenus applied Aristotle’s philosophy of science to his theory of music, as Harmonics I-II presents principles and Harmonics III proofs of some theorems. This reading is rather superficial, however, since it relies on a vague notion of logic. In this paper the author shows: (i) that already in Harmonics I-II, Aristoxenus proves a number of theorems; (ii) that almost all proofs can be syllogistically reconstructed and do not involve inacceptable logical gaps; (iii) that the mathematical proofs are consistent with Aristoxenus’s program of an empirical theory of music; and (iv) that Aristoxenus’s Rhythmics contains a great number of theorems that are proved in a logically weaker sense as defined in Aristotle’s Topics.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"59 1","pages":"128-158"},"PeriodicalIF":0.1000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHIV FUR MUSIKWISSENSCHAFT","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25162/afmw-2020-0006","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
It has often been noted that Aristoxenus applied Aristotle’s philosophy of science to his theory of music, as Harmonics I-II presents principles and Harmonics III proofs of some theorems. This reading is rather superficial, however, since it relies on a vague notion of logic. In this paper the author shows: (i) that already in Harmonics I-II, Aristoxenus proves a number of theorems; (ii) that almost all proofs can be syllogistically reconstructed and do not involve inacceptable logical gaps; (iii) that the mathematical proofs are consistent with Aristoxenus’s program of an empirical theory of music; and (iv) that Aristoxenus’s Rhythmics contains a great number of theorems that are proved in a logically weaker sense as defined in Aristotle’s Topics.