The Logical Structure of Aristoxenus’s Theory of Music

IF 0.1 2区 艺术学 0 MUSIC
W. Detel
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引用次数: 0

Abstract

It has often been noted that Aristoxenus applied Aristotle’s philosophy of science to his theory of music, as Harmonics I-II presents principles and Harmonics III proofs of some theorems. This reading is rather superficial, however, since it relies on a vague notion of logic. In this paper the author shows: (i) that already in Harmonics I-II, Aristoxenus proves a number of theorems; (ii) that almost all proofs can be syllogistically reconstructed and do not involve inacceptable logical gaps; (iii) that the mathematical proofs are consistent with Aristoxenus’s program of an empirical theory of music; and (iv) that Aristoxenus’s Rhythmics contains a great number of theorems that are proved in a logically weaker sense as defined in Aristotle’s Topics.
论亚里士多德音乐理论的逻辑结构
人们经常注意到,阿里斯托克森将亚里士多德的科学哲学应用到他的音乐理论中,如《和声》第1 - 2章提出了原理,《和声》第3章证明了一些定理。然而,这种解读相当肤浅,因为它依赖于一个模糊的逻辑概念。在本文中,作者证明:(1)阿里斯托克森已经在《调和论》i - ii中证明了一些定理;(ii)几乎所有的证明都可以用三段论重新构造,并且不涉及不可接受的逻辑空白;(iii)数学证明与阿里斯托克森的音乐经验理论相一致;(iv)亚里士多德的《韵律学》包含了大量的定理,而这些定理在亚里士多德的《论》中所定义的逻辑意义上是较弱的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
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