Austen's Malleability: Fans, Adaptations, and Value Production

IF 0.1 N/A HUMANITIES, MULTIDISCIPLINARY
Nicole Peters
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引用次数: 1

Abstract

abstract:Jane Austen's novels are part of an archive that has historically been situated in the tension over the "right" way to read a text. Indeed, her popularity among both recreational and professional readers positions her as a uniquely useful figure to track the divisions between low and high culture, good and bad reading, precisely because her reception is famously linked to both sets of practices. This article reads Austen's complicated reception in terms of the affective relationship her readers impose on the texts in order to highlight the many boundaries and terrains her readers occupy: critical vs. popular ways of reading, affected vs. affecting readerships, historical vs. fictional models for understanding her value. As Austen fans make these boundaries visible by crossing them, straddling them, or dismantling them, they reveal how tenuous and problematic the parameters constraining literary value really are.
奥斯汀的可塑性:粉丝、改编和价值生产
简·奥斯汀的小说是历史上一直处于“正确”阅读方式紧张状态的档案的一部分。事实上,她在娱乐和专业读者中都很受欢迎,这使她成为一个独特的有用的人物,可以追踪低俗文化和高雅文化、好阅读和坏阅读之间的差异,正是因为她的接受与这两种做法都有著名的联系。本文从读者对文本施加的情感关系的角度来解读奥斯汀的复杂接受,以突出她的读者所占据的许多界限和领域:批判性与流行的阅读方式,受影响的与受影响的读者,历史与虚构的模式来理解她的价值。当奥斯丁的粉丝们通过跨越、跨越或拆除这些界限,让这些界限变得清晰可见时,他们揭示了约束文学价值的参数是多么脆弱和有问题。
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来源期刊
Reception-Texts Readers Audiences History
Reception-Texts Readers Audiences History HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
14
期刊介绍: Reception: Texts, Readers, Audiences, History is a scholarly, peer-reviewed journal published once a year. It seeks to promote dialog and discussion among scholars engaged in theoretical and practical analyses in several related fields: reader-response criticism and pedagogy, reception study, history of reading and the book, audience and communication studies, institutional studies and histories, as well as interpretive strategies related to feminism, race and ethnicity, gender and sexuality, and postcolonial studies, focusing mainly but not exclusively on the literature, culture, and media of England and the United States.
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