The Licit and Illicit Vandalizing of San Francisco’s Early Garages

IF 0.6 4区 艺术学 0 ARCHITECTURE
M. Kessler
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引用次数: 0

Abstract

Common urban utilitarian buildings experience a range of deleterious changes, including graffiti, building modifications, and demolition. When such buildings possess historical or architectural significance, these changes potentially damage the urban fabric and diminish a shared cultural heritage. Paradoxically, while graffiti—the most superficial change—is combated as vandalism, far more invasive changes are implemented with official approval. On both fronts, respect for property underpins the regulatory policies and actions of local government. In neighborhoods experiencing rising housing prices and gentrification, these common buildings become especially vulnerable to demolition resulting from real estate development.This paper explores the possibility that if graffiti is illegal vandalism, then these other forms of change qualify as a legal vandalism. The thesis implicitly challenges the hegemony of property interests over those of other groups who inhabit the commons—including graffiti writers. The impact of graffiti, modifications, and demolition will be analyzed and compared, drawing examples from San Francisco’s stellar collection of early public garages. These buildings, which are closely related by time of construction, use, structure, and aesthetics, provide a consistent profile against which all of the aforesaid changes can be assessed.
旧金山早期车库的合法与非法破坏
常见的城市功利建筑经历了一系列有害的变化,包括涂鸦、建筑改造和拆除。当这些建筑物具有历史或建筑意义时,这些变化可能会破坏城市结构并削弱共同的文化遗产。矛盾的是,当涂鸦——最肤浅的改变——被视为破坏行为时,更具侵略性的改变却得到了官方的批准。在这两个方面,尊重房地产是地方政府监管政策和行动的基础。在经历房价上涨和中产阶级化的社区,这些普通建筑特别容易因房地产开发而被拆除。本文探讨了如果涂鸦是非法破坏的可能性,那么这些其他形式的变化就有资格成为合法的破坏行为。这篇论文含蓄地挑战了财产利益对其他居住在公共土地上的群体的霸权——包括涂鸦作家。将分析和比较涂鸦、修改和拆除的影响,并以旧金山早期公共车库的优秀收藏为例。这些建筑在建造时间、用途、结构和美学方面密切相关,提供了一个一致的轮廓,可以评估所有上述变化。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: Change Over Time is a semiannual journal publishing original, peer-reviewed research papers and review articles on the history, theory, and praxis of conservation and the built environment. Each issue is dedicated to a particular theme as a method to promote critical discourse on contemporary conservation issues from multiple perspectives both within the field and across disciplines. Themes will be examined at all scales, from the global and regional to the microscopic and material. Past issues have addressed topics such as repair, adaptation, nostalgia, and interpretation and display.
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