The Back of Her Head: The Fashionable Wartime Ruins of Cecil Beaton

IF 0.3 2区 艺术学 0 ART
Altair Brandon-Salmon
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引用次数: 0

Abstract

Cecil Beaton's 1941 photograph Fashion is indestructible, published by British Vogue, depicts a model in a couture suit looking at Blitz ruins. The image claims fashion as timeless, contrasting it with ruins, which in their destruction hold out a promise for future rebuilding, time manifesting itself in the rubble of bombsites and the fabric of clothing. By reading the photograph as a historical document, we confront photography's complex relationship with time and the ambiguous boundaries between past, present, and future which defined the experience of the Home Front.

她的后脑勺:塞西尔·比顿的时尚战时遗迹
塞西尔·比顿1941年在英国《Vogue》杂志上拍摄的照片《时尚坚不可摧》,描绘了一位穿着高级定制西装的模特看着闪电战的废墟。这张照片声称时尚是永恒的,与废墟形成对比,废墟的破坏为未来的重建提供了希望,时间在炸弹的废墟和衣服的织物中体现出来。通过将照片作为一种历史文献来阅读,我们面对摄影与时间的复杂关系,以及过去、现在和未来之间模糊的界限,这些界限定义了大后方的经历。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.70
自引率
20.00%
发文量
51
期刊介绍: Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship, whether on earlier or more recent periods. At the forefront of scholarly enquiry, Art History is opening up the discipline to new developments and to interdisciplinary and cross-cultural approaches.
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