Punk: Pengamen Jalanan dan Sebuah Subkultur Dari Kehidupan Urban di Kota Medan

Agung Suharyanto
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Abstract

This article aims to describe street children Punk in the life patterns of the people of Medan City. Medan city is one of the things that cannot be separated from the life pattern of street singers. This means that the life of street singers has become part of the overall life of the people of Medan City. Don't know who started it, now there are so many Punk communities scattered at the crossroads, living in groups while busking. Their identity is very different from other street singers, both in terms of clothes, hairstyles and body piercing as well as tattoos on several parts of the body. All things that are very different from the identity of the other buskers whose taste is also piling up. What makes the other street singers the same is that their songs and music are no different, which are trending and melancholy. They also use the media of music to create space for themselves to speak out. Music is used as a tool to empower himself. Apart from looking for food, playing music is also a tool to build solidarity. On certain occasions they played music together. So, you could say, young people in Medan who are singing on the streets and wearing all-Punk make-up in Indonesia are very likely inspired by something very different from their predecessor Punk generation in their home country.
朋克:棉兰城市城市生活的街头艺人和亚文化
本文旨在描述街头儿童朋克在棉兰市人民的生活模式。棉兰市是与街头歌手的生活模式密不可分的城市之一。这意味着街头歌手的生活已经成为棉兰市人民整体生活的一部分。不知道是谁开始的,现在有那么多的朋克社区分散在十字路口,在街头表演的同时群居。他们的身份与其他街头歌手非常不同,无论是在服装、发型和身体穿孔,还是在身体的几个部位纹身。所有这些都与其他品味也越来越高的街头艺人的身份非常不同。其他街头歌手的相同之处在于他们的歌曲和音乐没有什么不同,都是趋势和忧郁。他们还利用音乐这一媒介为自己创造发声的空间。音乐是一种赋予自己力量的工具。除了寻找食物,演奏音乐也是一种建立团结的工具。在某些场合,他们一起演奏音乐。所以,你可以说,棉兰的年轻人在街上唱歌,在印尼化着朋克的妆,很可能受到了与他们祖国的朋克前辈截然不同的启发。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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