De Leibniz a la arquitectura

IF 0.3 0 PHILOSOPHY

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2016-12-01 DOI:10.4067/S0718-71812016000200003

Maritza Beatriz Granados Manjarrés

引用次数: 2

Abstract

espanolEl articulo busca hacer un traslado de la filosofia leibniziana al mundo de la arquitectura a traves de la ley de la continuidad, planteando una serie de cinco leyes o condiciones que posibilitan dicho traslado y que a su vez fundan una teoria sobre como puede ser entendido el espacio arquitectonico a la luz de la filosofia. Ademas de la continuidad, el articulo aborda el problema del pliegue y su condicion de dispositivo que puede ser entendido como el detonante primordial del espacio y la experimentacion formal. EnglishThis paper tries to make a transit from the Leibnizian philosophy to the world of architec- ture through his Law of Continuity. is transit proposes ve laws or conditions inherent to the architectonic space which establishes a theory on how space can be understood from a discipline like philosophy. Besides this Law, the paper addresses the problem of the fold and how it is understood as a device and the fundamental trigger of space and formal experimentation.

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espanolEl跟进旨在做出的基本leibniziana搬到世界的成败得失连续性的法律架构,提出一系列五项法律或环境改善和第二十九条反过来就怎么可能明白arquitectonico空间理论的基本根据。在这篇文章中，我们讨论了连续性的问题，以及它作为一种装置的条件，它可以被理解为空间和形式实验的主要触发因素。= =地理= =根据美国人口普查，这个县的面积为，其中土地面积为，其中土地面积为。 is transit政见看到法律or conditions inherent to architectonic space which理论问题on how space can be不言而喻,从纪律像philosophy。莉亚this Law, the paper addresses the problem of the fold and how it is不言而喻,作为设备and the trigger基本of space and正式experimentation。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico PHILOSOPHY-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

40 weeks

期刊介绍： The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.