World Literature, Industrialization, and the Two Faces of Contemporary Chinese Science Fiction

Yiping Wang
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Abstract

Abstract: In "World Literature, Industrialization, and the Two Faces of Contemporary Chinese Science Fiction" Yiping Wang discusses contemporary Chinese science fiction against the backdrop of the influence of world literature and the development of industrialization in China. Wang argues that two sides represented respectively by Liu Cixin and Han Song constitute the feature of contemporary Chinese science fiction. The side characterized by the works of Liu Cixin is the close connection with world science fiction and the positive attitude and consistency with technological innovation and industrialization in China while the other side has Han Song as its representative, whose works, with similarities to high literature of world canons and the mainstream Chinese literature, reflect on the development of technology and industrialization focusing on individuals and disasters in the shadow of modernization. These two sides join together in the illustration of the basic image of science fiction in contemporary Chinese literature. By absorbing the essence of world literature and echoing the concerns of the nation, contemporary Chinese science fiction surmounts the hierarchy of literary genres and make its way into the active center of world literature.
世界文学、工业化与当代中国科幻小说的两面
[摘要]王一平在《世界文学、工业化与当代中国科幻小说的两面派》一文中,将世界文学的影响与中国工业化的发展作为背景来探讨当代中国科幻小说。他认为以刘慈欣和韩松为代表的两个方面构成了当代中国科幻小说的特征。刘慈欣作品的一面是与世界科幻小说的密切联系,与中国科技创新和工业化的积极态度和一致性;另一面是以韩松为代表的,他的作品与世界经典的高级文学和中国主流文学相似,以现代化阴影下的个人和灾难为焦点,反思科技和工业化的发展。这两方面共同构成了当代中国文学中科幻小说的基本形象。中国当代科幻小说通过吸收世界文学的精华,回应民族的关切,超越了文学类型的等级,进入了世界文学的活跃中心。
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