{"title":"Elsie Park Gowan's (re)-Building of Canada, 1937-1938: Revisioning the Historical Radio Series through Feminist Eyes","authors":"Moira Day","doi":"10.7202/1062416AR","DOIUrl":null,"url":null,"abstract":"Quite aside from its historical significance as one of the first prairie-generated series to reach national radio and as the definitive work that launched Gowan's career as a radio writer, Gowan's Building of Canada series (1937-38) raises a number of important questions about defining historicity within the context of historical dramatic writing. Where Merrill Denison, an often progressive writer of contemporary stage plays, chooses to celebrate the conventional values of male pioneer adventure, empire-building, war and military glory within the context of his seminal historical radio series, The Romance of Canada (1931), Gowan's Building represents a more complex attempt to reconcile her vision as a trained historian, concerned with the objective chronicling and analysis of the male-dominated world of wars, economy, politics and public life, with her vision as a social activist playwright committed to interpreting the human world through the focus of her socialistic, pacifistic and feminist convictions. \n Building of Canada de Gowan (1937-38): Laissons de cote son importance historique en tant qu'une des premieres series historiques venant des prairies a paraitre a la radio nationale et en tant que l'oeuvre definitive qui a declenche la carriere de Gowan comme ecrivaine pour la radio. Cette serie souleve beaucoup de questions importantes lorsqu'il s'agit de definir l'historicite dans le contexte de l'ecriture dramatique et historique. Tandis que Merrill Denison, qui ecrit d'une facon souvent progressiste des pieces de theâtre contemporaines, choisit de celebrer les valeurs conventionnelles des aventures des pionniers, de la construction d'un empire, de la guerre et de la gloire militaire dans le contexte de sa serie seminale pour la radio. The Romance of Canada (1931), Building de Gowan represente une tentative plus complexe de concilier sa vision d'historienne diplomee, soucieuse de raconter et d'analyser le monde mâle des guerres, de l'economie, de la politique et de la vie publique, avec sa vision d'activiste sociale tenant a interpreter le monde human a travers ses convictions socialistes, pacifistes et feministes.","PeriodicalId":53669,"journal":{"name":"Theatre Research in Canada-Recherches Theatrales au Canada","volume":"45 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Theatre Research in Canada-Recherches Theatrales au Canada","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7202/1062416AR","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Quite aside from its historical significance as one of the first prairie-generated series to reach national radio and as the definitive work that launched Gowan's career as a radio writer, Gowan's Building of Canada series (1937-38) raises a number of important questions about defining historicity within the context of historical dramatic writing. Where Merrill Denison, an often progressive writer of contemporary stage plays, chooses to celebrate the conventional values of male pioneer adventure, empire-building, war and military glory within the context of his seminal historical radio series, The Romance of Canada (1931), Gowan's Building represents a more complex attempt to reconcile her vision as a trained historian, concerned with the objective chronicling and analysis of the male-dominated world of wars, economy, politics and public life, with her vision as a social activist playwright committed to interpreting the human world through the focus of her socialistic, pacifistic and feminist convictions.
Building of Canada de Gowan (1937-38): Laissons de cote son importance historique en tant qu'une des premieres series historiques venant des prairies a paraitre a la radio nationale et en tant que l'oeuvre definitive qui a declenche la carriere de Gowan comme ecrivaine pour la radio. Cette serie souleve beaucoup de questions importantes lorsqu'il s'agit de definir l'historicite dans le contexte de l'ecriture dramatique et historique. Tandis que Merrill Denison, qui ecrit d'une facon souvent progressiste des pieces de theâtre contemporaines, choisit de celebrer les valeurs conventionnelles des aventures des pionniers, de la construction d'un empire, de la guerre et de la gloire militaire dans le contexte de sa serie seminale pour la radio. The Romance of Canada (1931), Building de Gowan represente une tentative plus complexe de concilier sa vision d'historienne diplomee, soucieuse de raconter et d'analyser le monde mâle des guerres, de l'economie, de la politique et de la vie publique, avec sa vision d'activiste sociale tenant a interpreter le monde human a travers ses convictions socialistes, pacifistes et feministes.
Elsie Park Gowan的(再)-加拿大的建筑,1937-1938:通过女权主义者的眼睛修改历史广播系列
高恩的《加拿大建筑》系列(1937- 1938)不仅具有重要的历史意义,是第一部在国家广播电台播出的草原题材连续剧,也是开启高恩广播作家生涯的决定性作品,而且还提出了许多关于在历史戏剧写作的背景下定义历史性的重要问题。梅里尔·丹尼森(Merrill Denison)是一位经常进步的当代舞台戏剧作家,他在其开创性的历史广播剧《加拿大的浪漫》(1931)中选择了颂扬男性先驱冒险、帝国建设、战争和军事荣耀的传统价值观,而《高恩的建筑》则代表了一种更复杂的尝试,以协调她作为一名训练过的历史学家的愿景,她关注于客观地记录和分析男性主导的战争、经济、政治和公共生活,作为一个社会活动家的剧作家,她致力于通过她的社会主义、和平主义和女权主义信念来解释人类世界。加拿大建筑de延命菊(1937 - 38):Laissons de cote儿子重要性historique en组如此更一des首映式系列historiques文南des草原paraitre la广播国家等在如此更,l菜明确declenche la carriere de延命菊像ecrivaine pour la收音机。我们的系列解决了许多重要的问题,我们的系列解决了许多重要问题,我们的系列解决了许多重要问题,我们的系列解决了许多重要问题,我们的系列解决了许多重要问题,我们的系列解决了许多重要问题。丹尼森先生,当代艺术作品的进步主义者,先行者的冒险者,帝国的建设者,战争的斗士,军事的荣耀,广播的研讨会的背景。《加拿大罗曼史》(1931),《高旺大厦》代表了一种尝探性的复杂的和解,一种历史的视角,一种社会的视角,一种社会的视角,一种世界的视角,一种社会的视角,一种经济的视角,一种政治的视角,一种公共生活的视角,一种社会活动的视角,一种社会的视角,一种社会的视角,一种阐释,一种信念,一种社会主义者,一种和平主义者,一种女权主义者。
期刊介绍:
Theatre Research in Canada is published twice a year under a letter of agreement between the Graduate Centre for the Study of Drama, University of Toronto, the Association for Canadian Theatre Research, and Queen"s University.