Propuesta metodológica para el análisis de la videodanza a partir del lenguaje audiovisual

Abstract

This contribution arises as a result of an investigation whose objective is to identify an analysis model for screendance analysis. To this end, we have chosen all the screendance works selected in the between the years 2013 and 2018, a total of 67 works, of the Fiver (International Screendance Movement), as one of the most representative festivals of this genre in Spain, that rides between visual arts and the audiovisual language. For its analysis, we make a methodological proposal that combines variables of audiovisual language, choreographic language and variables created specifically based on the praxis of videodance. From the analysis, it is possible to conclude, as more outstanding features, the significant use of the objective shots, the predominance of medium and general shots and a wide use of the fixed camera and little camera movement.