{"title":"Tristram Shandy and War Representation","authors":"J. Richardson","doi":"10.1215/00982601-7993633","DOIUrl":null,"url":null,"abstract":"Abstract:This essay examines Tristram Shandy in the context of philosophers and thinkers such as Hume, Shaftesbury, and Hutcheson, focusing on how the novel represents war, and how it raises questions about sympathetic responses to war. I will argue that Sterne is concerned with the challenges of representing war, which he explores in studying Uncle Toby and Trim’s miniature fortifications, as well as the story of Le Fever, and the various sympathetic reactions, some of which are self-promotional, to death. Sterne places two modes of representing war in counterpoint—a “distancing” mode that entails objective reporting, and a mode that involves an individual, sympathetic narrative—to raise questions about the emotion, beauty, and impact of war representations. I will also argue that Sterne is responding to changes in the way war was publicly imagined.","PeriodicalId":43296,"journal":{"name":"EIGHTEENTH-CENTURY LIFE","volume":"38 1","pages":"27 - 48"},"PeriodicalIF":0.1000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"EIGHTEENTH-CENTURY LIFE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/00982601-7993633","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:This essay examines Tristram Shandy in the context of philosophers and thinkers such as Hume, Shaftesbury, and Hutcheson, focusing on how the novel represents war, and how it raises questions about sympathetic responses to war. I will argue that Sterne is concerned with the challenges of representing war, which he explores in studying Uncle Toby and Trim’s miniature fortifications, as well as the story of Le Fever, and the various sympathetic reactions, some of which are self-promotional, to death. Sterne places two modes of representing war in counterpoint—a “distancing” mode that entails objective reporting, and a mode that involves an individual, sympathetic narrative—to raise questions about the emotion, beauty, and impact of war representations. I will also argue that Sterne is responding to changes in the way war was publicly imagined.
期刊介绍:
Committed to interdisciplinary exchange, Eighteenth-Century Life addresses all aspects of European and world culture during the long eighteenth century, 1660–1815. The most wide-ranging journal of eighteenth-century studies, it also encourages diverse methodologies—from close reading to cultural studies—and it always welcomes suggestions for review essays, special issues, and innovative approaches. Among Eighteenth-Century Life’s noteworthy regular features are its film forums, its review essays, its book-length special issues, and the longest and most eclectic lists of books received of any journal in the field.