Ali Shogentsukov and the National Literary Process of the 20th Century (to the Axiology of Re-reading)

IF 0.2 0 LITERATURE
Y. Tkhagazitov, L. B. Khavzhokova
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引用次数: 0

Abstract

The main purpose of the article is to study the organic combination of problemcontent and artistic-stylistic aspects in the further development of Shogentsukov’s traditions in Kabardian literature. To achieve this goal, it seems necessary to reveal the essence of national traditions and the artistic experience of Russian literature as the basis for the interdependence of “ours” and “theirs” in the formation of the artistic world of the founder and classic of Kabardian literature, Ali Askhadovich Shogentsukov (1900–1941). In accordance with the purpose and task of the study, the authors of the article propose a hypothesis that not only does Shogentsukov’s work belong to the history of national literature and its development, it is also a lively contribution to the modern national literature. The article overcomes a purely ideological interpretation of Ali Shogentsukov’s work and consolidates the idea of his role in the evolution of the national literary process.
肖根苏科夫与20世纪民族文学进程(再阅读价值论)
本文的主要目的是研究肖根苏科夫传统在卡迪亚文学中进一步发展的问题内容和艺术风格方面的有机结合。为了实现这一目标,似乎有必要揭示民族传统的本质和俄罗斯文学的艺术经验,作为“我们的”和“他们的”相互依存的基础,形成了卡巴尔文学的创始人和经典,阿里·阿斯卡德多维奇·肖根苏科夫(1900-1941)的艺术世界。根据本文的研究目的和任务,作者提出了这样一个假设:肖根苏科夫的作品不仅属于民族文学史及其发展史,而且是对现代民族文学的生动贡献。本文克服了对肖根苏科夫作品的纯意识形态解读,巩固了他在民族文学进程演变中的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studia Litterarum
Studia Litterarum LITERATURE-
CiteScore
0.20
自引率
0.00%
发文量
26
审稿时长
20 weeks
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