Presentism, dystopia, negative solution: Three forms of the punk chronotype ‘no future’

Q1 Arts and Humanities
Justus Grebe
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引用次数: 0

Abstract

In recent years, the slogan ‘no future’ has been used to illustrate punk ideology, focusing on notions of nihilism, pessimism and anxiety against the backdrop of various crises. It has also been interpreted as emblematic of a certain temporality typical of the years after the post-war boom. However, the meaning of ‘no future’ in and for punk cultures is rarely explored in detail – a gap this article seeks to address. It conceptualizes ‘no future’ as a central chronotype of punk, manifesting in various forms. Providing close readings of the exemplary punk songs ‘Now I Wanna Sniff Some Glue’ by the Ramones, ‘London Calling’ by the Clash, and ‘Deutschland’ by Slime, the article explores three such forms: presentism, choosing the present over the future; dystopia, detailing a negative future; and negative solution, calling for the negation of a certain aspect of the present. In doing so, the article shows the plurality of meanings of ‘no future’ in punk and points to further research to be conducted on the time culture of punk.
现代主义、反乌托邦、消极解决方案:朋克“没有未来”的三种时间类型
近年来,“没有未来”的口号被用来说明朋克的意识形态,在各种危机的背景下,关注虚无主义、悲观主义和焦虑的概念。它也被解释为象征着战后繁荣后的一段典型的短暂时期。然而,朋克文化中“没有未来”的含义很少被详细探讨——这篇文章试图解决这个缺口。它将“没有未来”概念化为朋克的核心时间类型,以各种形式表现出来。本文仔细研读了雷蒙斯乐队(Ramones)的经典朋克歌曲《Now I Wanna Sniff Some Glue》、Clash乐队的《London Calling》和Slime乐队的《Deutschland》,探讨了三种形式:当下主义,选择现在而不是未来;反乌托邦,详述一个消极的未来;消极的解决方案,要求否定现在的某一方面。由此,文章展示了朋克中“没有未来”的多重含义,并指出朋克的时间文化有待进一步研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Punk and Post-Punk
Punk and Post-Punk Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
35
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