Cervantes y el anime japonés: Refracciones y reflexiones quijotescas en el anime Sword Art Online

IF 0.1 0 LANGUAGE & LINGUISTICS
Alberto Monteagudo Canales
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引用次数: 0

Abstract

In the Japanese contemporary entertainment culture, few narrative universes have attracted such overwhelming local and global attention as Sword Art Online . Focusing in the first sixteen episodes of the eponymous anime, the following paper aims to explore and critically analyze it by reflecting it against the most famous and celebrated Spanish literary work: Don Quixote of La Mancha . Through the cross-cultural and cross-epochal juxtaposition of both works, this study proffers a suggestive reading of the ways in which the relationship between the anime’s protagonist Kazuto Kiragaya and his avatar Kirito mirrors, both distorting and reflecting, that between Alonso Quijano and his alter ego Don Quixote in Cervantes’s masterpiece. In addition, a close reading of these characters will explore how this anime series furthers the questioning of the notions of reality and appearance already begun in Spanish Golden Age texts. In this sense, this anime, despite being the product of different socio-historical and temporal conditions, shows wide-scale baroque sensibilities that can help an audience familiar with Japanese popular culture to reconsider and rediscover seventeenth-century Spanish literary figures.
塞万提斯和日本动漫:动画剑艺术在线中的折射和堂吉诃德式的反思
在日本当代娱乐文化中,很少有叙事宇宙像《剑艺在线》那样吸引了如此巨大的本地和全球关注。本文以同名动画的前16集为重点,通过与西班牙最著名和最著名的文学作品《拉曼查的堂吉诃德》相比较,对其进行探索和批判性分析。通过对两部作品的跨文化和跨时代的并置,本研究提供了一种暗示性的解读,即动画主角和人kiruto和他的化身Kirito之间的关系,既扭曲又反映了塞万提斯的杰作中阿隆索·吉哈诺和他的另一个自我堂吉诃德之间的关系。此外,仔细阅读这些角色将探索这部动画系列如何进一步质疑西班牙黄金时代文本中已经开始的现实和外观概念。从这个意义上说,尽管这部动画是不同社会历史和时代条件的产物,但它展示了大规模的巴洛克式情感,可以帮助熟悉日本流行文化的观众重新思考和重新发现17世纪的西班牙文学人物。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Cuadernos CANELA
Cuadernos CANELA LANGUAGE & LINGUISTICS-
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